This article is a discussion of a dominant (and mostly taken-for-granted) discourse of multicultural education (the phrase 'intercultural education' is sometimes used). My aim is, simply, to highlight two issues which, I think, are insufficiently dealt with in relation to multicultural education: the observation that differences can be irreconcilable and the idea of change. In the first part of this article, I try to sketch this discourse by giving some examples in which some characteristic markers of this discourse are illustrated (...) (such as the idea of initiation in a variety of perspectives, of inclusion of a diversity of viewpoints, hearing multiple voices, of enrichment of our own way of looking at the world, etc.). In the second part of this article, I will rehearse some familiar concepts regarding what it means to be initiated into socio-historical and cultural practices, drawing mainly on Cavell. The point here is to bring out a sense of a human being's embeddedness in a form of life that at the same time cuts very deep (i.e. affectively, even physically, anchored) and is incomplete (i.e. there is an irreducible, though unidentifiable lack), for the purpose of addressing the two issues mentioned (irreconcilable differences and change). Here the theme of voice (and what is involved in owning a voice) will be briefly developed, again by drawing on Cavell. In the final part of this article, I will try to draw some implications for multicultural education. (shrink)

Abstract Struck by essentialist and anti-essentialist elements in his writings, Nietzsche's readers have wondered whether his conception of the self is incoherent or paradoxical. This paper demonstrates that his conception of the self, while complex, is not paradoxical or incoherent, but contains four distinct levels. Section I shows Schopenhauer as Educator to contain an early description of the four levels: (1) a person's deepest self, embracing all that cannot be educated or molded; (2) a person's ego; (3) a person's ?ideal? (...) or ?higher self?; (4) a person's ?true self? or ?true nature?. In the remaining three sections, I show that Nietzsche develops and enriches this conception, without ever abandoning it. Section II treats the fourfold conception as it appears in Human, All Too Human. Section III interrogates relevant passages in the Gay Science, showing that while Nietzsche speaks of artful self-fashioning (as Alexander Nehamas emphasizes), he also pays due regard to the sense in which we are not our own creations. Section IV turns to the ?deepest? level of the self, consisting of motives and drives. Drawing primarily upon Daybreak and Beyond Good and Evil, I show that Nietzsche regards neither the drives nor their hierarchical ordering as things that we construct. (shrink)

This article characterizes the work of Native basket weaver Mabel McKay, using some of the conceptual tools of twentiethth-century phenomenologist Maurice Merleau-Ponty. Specifically, McKay's baskets have often been described as "living;" Merleau-Ponty's account of the world as "living flesh" seems to suggest a way of thinking about these baskets as more than mere artifacts. I conclude that McKay's baskets are a powerful propaedeutic: they awaken a sense of ourselves as perceivers.

This article characterizes the work of Native basket weaver Mabel McKay, using some of the conceptual tools of twentiethth-century phenomenologist Maurice Merleau-Ponty. Specifically, McKay's baskets have often been described as "living;" Merleau-Ponty's account of the world as "living flesh" seems to suggest a way of thinking about these baskets as more than mere artifacts. I conclude that McKay's baskets are a powerful propaedeutic: they awaken a sense of ourselves as perceivers.