According to three-dimensionalism, objects persist in time by being wholly present at each time they exist; on the contrary, four-dimensionalism asserts that objects persist by having different temporal parts at different times or that they are instantaneous temporal parts of four-dimensional aggregates. Le Poidevin has argued that four-dimensionalism better accommodates two common assumptions concerning persistence and continuity; namely, that time itself is continuous and that objects persist in time in a continuous way. To this purpose, he has offered two independent (...) arguments, each of which moves from a different understanding of continuity. In this paper, both of Le Poidevin’s arguments will be discussed and rejected. (shrink)

I explain a tension between musical creationism (the view that musical works are abstract artifacts) and the view that there is no vague existence. I then suggest ways to reconcile these views. My central conclusion is that, although some versions of musical creationism imply vague existence, others do not. I discuss versions of musical creationism held by Jerrold Levinson, Simon Evnine, and Kit Fine. I also present two new versions. I close by considering whether the tension is merely an instance (...) of a general problem raised by artifacts, both abstract and concrete. I argue that on at least one defensible account of music the tension is especially problematic for abstracta. I focus on musical works, but much of the paper straightforwardly applies to other kinds of abstract artifacts. (shrink)