The burgeoning activity of Australian backpacker tourists visiting the WWI Gallipoli battlefields is analyzed to explore the rite of international civil religious pilgrimage. Drawing on Maurice Halbwachs, it is argued that this ritual form plays an important role in reimagining and enchanting established national mythologies. At Gallipoli, this occurred through the development of a dialogical historical narrative combining Australian and Turkish understandings of the past. The broader influence of this narrative on Australian historical understanding illustrates how global forces can be (...) integrated within the study of national collective memory. (shrink)

The work of William Sewell and Marshall Sahlins has led to a growing interest in recent years in events as a category of analysis and their role in the transformation of social structures. I argue that tying events solely to instances of significant structural transformation entails problematic theoretical assumptions about stability and change and produces a circumscribed field of events, undercutting the goal of developing an "eventful" account of social life. Social continuity is a state that is achieved just as (...) much as are structural transformations, and events may be constitutive of processes of reproduction as well as change. (shrink)

. This article inquires into the social function of guilt, especially collective guilt, and the implications thereof for collective violence and collective memory. The focus is on the relationship between collective violence and collective memory in countries that have experienced cultural trauma, defined as a dramatic loss of identity and meaning, a tear in the social fabric. Analyzing the dynamics—the mechanisms and processes—of remembering and forgetting such trauma, I argue that the idea of collective guilt is essential for making sense (...) of collective violence and collective memory. Specifically, I show that collective violence requires collective action; that collective action produces collective guilt; that collective violence generates perceptions—and misperceptions—of collective guilt; and that collective memory is formed, deformed, and transformed by perceptions—and misperceptions—of collective guilt. The article uses illustrative data from a variety of cases to illuminate these dynamics. It concludes by explaining why understanding these dynamics is imperative for responding to historic injustice in the twenty‐first century.Flash‐backs falsify the Past:they forgetthe remembering Present. (shrink)