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  1. Reflections on the ruins of Athens and Rome: Derrida and Simmel on temporality, life and death.Black Hawk Hancock & Roberta Garner - 2014 - History of the Human Sciences 27 (4):77-97.
    The recent publication of the translation of Jacques Derrida’s Athens, Still Remains, a small volume of photographs and commentary, affords an opportunity to probe Derrida’s reflections on death and therefore on life as well. Looking at photographs and objects of everyday life, Derrida emphasizes the deferred yet certain nature of death and the way in which this deferral opens the opportunity to devote ourselves to life. His grounding of his philosophical and deconstructionist argument in contemplation of material fragments invites a (...)
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  • Derrida on teaching: The economy of erasure.Charles W. Bingham - 2007 - Studies in Philosophy and Education 27 (1):15-31.
    This article explores Derrida's claim that teaching is a deconstructive process. In order to explore this claim, the Derridean concept of "erasure" is explored. Using the concept of erasure, this article examines two important aspects of teaching: the name that teachers establish for themselves, and, teaching against social power from a Derridean perspective. Ultimately, the paper confirms Derrida's claim that teaching is indeed a deconstructive practice.
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  • Ontology, ‘hauntology’ and the ‘turn’ that keeps anthropology turning.Vassos Argyrou - 2017 - History of the Human Sciences 30 (1):50-65.
    Twentieth-century anthropology has been operating with the assumption of one nature and many cultures, one reality experienced and lived in many different ways. Its primary job, therefore, has been to render the otherness of the other understandable, to demonstrate that although different it is also the same; in short, to show that although other, others are people like us. The latest theoretical paradigm, known as the ‘ontological turn’, appears to reverse this assumption and to posit many natures and one culture. (...)
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  • Photography and the paradigm of the trace.Daniel Nevin - unknown
    The idea that photographs can be explained as traces made by the things they depict has been a recurring paradigm in theories about the nature of the photographic medium. Walter Benjamin, Charles Sanders Peirce, Susan Sontag, Andre Bazin and Roland Barthes are a few of the many theorists who have used the paradigm of the trace to explain the nature of photographs. The paradigm can also be argued to have been a significant influence in the work of prominent artists such (...)
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