This paper studies Suetonius's depiction of the appearance of Emperors through what I call Bodily or Corporeal Ecphrasis. Suetonius's ecphrasis of the Emperor's body directs the readers' gaze over the corpus principis in a way that deconstructs the ontology of the princeps. I will show that Suetonius's construction of emperors' corpora includes an amalgamation of referents to heavenly and animal bodies that upsets a reader's ability to interpret these radically unique images through a purely human criterion.