As Socrates recounts his search for causes (aitiai) in the Phaedo, he identifies the following as genuine causes: intelligence (nous), seeming best, choice of the best, and the forms. I argue that these causes should be understood as norms prescribing the conditions their effects must meet if those effects are to be produced. Thus, my account both explains what Socrates’ causes are and the way in which they cause what they cause.

This paper addresses the question of whether, according to Plato, there are forms of sensible qualities; it is also addressed to the wider question of whether there are forms of physical and material things more generally. In particular, it considers the tension raised by the following theses: (1) a Platonic form is the essence of some thing; (2) for Plato, those essences that are forms are imperceptible and are knowable through reasoning alone; (3) knowing the essence of a particular color (...) (e.g., red) requires presentation with the relevant sensible quality and hence requires sense perception; (4) if a sensible quality has an essence, then that essence is a form. The solution I defend to this puzzle basically consists of accepting (1) through theses (3) but denying thesis (4). Sensible qualities, according to Plato, do have essences, but specifying their essences does not require that one postulate a separate form. (shrink)

In the _Phaedo Socrates says that as a young man he thought it a great thing to know the causes of things; but finding existing accounts unsatisfying, he fell back on a method of his own, hypothesizing that Forms are causes. I argue that part of what this hypothesis says is that certain phenomena--the ones for which it postulates Forms as causes--are the result of processes whose object was to produce them. I then use this conclusion to explain how Socrates' (...) discussion of causality in the _Phaedo might be supposed to contribute to his final argument for immortality. (shrink)

Readers of Plato since antiquity have generally taken Socrates’ intellectual autobiography in the Phaedo as a signal of his turn away from the study of natural philosophy. They have turned instead to characters such as Timaeus for evidence of Plato’s pursuit of physics. This article argues that Plato’s Socrates himself developed a philosophy of nature in his criticism of Anaxagoras and his subsequent philosophic pursuits. Socrates’ autobiography places the study of nature in a foundational position within the development of his (...) philosophic method. In the Apology, Socrates further elaborated his investigation into nature through his understanding of theology. Finally, in the Phaedrus, Socrates connects the study of nature with the study of rhetoric as tools for virtue. Therefore, Plato’s Socrates does not reject or abandon physics, as has often been suggested, but rather, he incorporates it into his own philosophic project and challenges its practitioners to connect their own inquiries with human affairs. (shrink)