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  1. Misconceptions About Colour Categories.Christoph Witzel - 2019 - Review of Philosophy and Psychology 10 (3):499-540.
    The origin of colour categories and their relationship to colour perception have been the prime example for testing the influence of language on perception and thought and more generally for investigating the biological, ecological and cultural determination of human cognition. These themes are central to a broad range of disciplines, including vision research, neuroscience, cognitive psychology, developmental science, cultural anthropology, linguistics, computer science, and philosophy. Unfortunately, though, it has been tacitly taken for granted that the conceptual assumptions and methodological practices (...)
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  • Rewriting color.B. A. C. Saunders & J. Van Brakel - 2001 - Philosophy of the Social Sciences 31 (4):538-556.
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  • De l’hypothese de Sapir-Whorf au prototype : sources et genese de la theorie d’Eleanor Rosch.Jean-Michel Fortis - 2010 - Corela. Cognition, Représentation, Langage 8.
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  • Interdiscourse or supervenience relations: The primacy of the manifest image.J. Brakel - 1996 - Synthese 106 (2):253 - 297.
    Amidst the progress being made in the various (sub-)disciplines of the behavioural and brain sciences a somewhat neglected subject is the problem of how everything fits into one world and, derivatively, how the relation between different levels of discourse should be understood and to what extent different levels, domains, approaches, or disciplines are autonomous or dependent. In this paper I critically review the most recent proposals to specify the nature of interdiscourse relations, focusing on the concept of supervenience. Ideally supervenience (...)
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  • Visual and Verbal color: chaos or cognitive and cultural fugue? ‎.Mony Almalech - 2019 - In Evangelos Kourdis, Maria Papadopoulou & Loukia Kostopoulou (eds.), The Fugue of the Five Senses and the Semiotics of the Shifting Sensorium: Selected ‎Proceedings from the 11th International Conference of the Hellenic Semiotics Society.
    Fugue and chaos are used in their contemporary meaning. Elements of the fugue, albeit a ‎small number of universals, will be demonstrated in the area of visual and verbal colors. ‎Chaos dominates the internet, fashion, and everyday life. The visual and verbal colors are ‎differentiated and their communicative potential is indicated alongside the diachronic changes. The prototypes of colors are the interface between visual and verbal colors.‎.
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  • Semiotics of colour.Mony Almalech - unknown
    This study contains a brief overview and comments on some basic texts on the semiotics and semantics of colour. It presents my view on the basic semiotic status of colour as a communication system and on the grammar features of colour language.
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