In this essay, Robin May Schott criticizes leading proponents of just war theory and introduces the notion of justifiable but illegitimate violence. Instead of legitimating some wars as just, it is better to acknowledge that both the situation of war and moral judgments about war are ambiguous. Schott raises the questions: What are alternative narratives of war? And what are alternative narratives to war? Such narratives are necessary for addressing the concepts of evil and of witnessing in the ethical discourse (...) after Auschwitz. (shrink)

Irigaray and Le Dœuff diagnose the problem of woman and philosophy in terms of love. The differing solutions to the problem can be found in their styles. Irigaray's style is loving and dialogic, transforming the inherent structure of love and reminding us of the traditional feminine position defined by men. Le Dœuff's style is critical and pluralistic and relates to her perception of the feminine way of philosophical writing. These styles take into account the undervaluation of the feminine in the (...) apparently `neutral' practices of philosophizing and surpass the traditional or unreflected notions of the feminine style. Ultimately, the consciously `subjective' styles, with the inherent aims of self-reflectivity and openness for other persons and texts, prove necessary when striving for truth and objectivity. Thus, Le Dœuff and Irigaray question the standard notion of philosophical style as neutral `non-style'. (shrink)

A historically feminized profession, education in North America remains remarkably unaffected by feminism, with the notable exception of pedagogy and its impact on curriculum. The purpose of this paper is to describe characteristics of feminism that render it particularly useful and appropriate for developing potentialities in education and music education. As a set of flexible methodological tools informed by Gilles Deleuze's notions of philosophy and art, I argue feminism may contribute to education's becoming more efficacious, reflexive, and reflective of the (...) values of its participants. Its impetus involves ‘feminist imperative(s)’ to help in the sense articulated by Elizabeth Grosz: to provoke thought, challenge, and problematize. (shrink)