The literature on sensory processing disorders in institutionalized infants highlights the impact of early deprivation on infant perception. Through a Merleau-Pontian, hyperdialectic analysis of the extraordinary development of infant perception under circumstances of severe deprivation the intimate link between environmental affordances and perceptual systems becomes apparent. This paper offers an updated reading of Merleau-Ponty’s late work as a philosophy of systems and outlines some fertile philosophical concepts and methods developed by Merleau-Ponty in The visible and the Invisible. Merleau-Ponty’s concept of (...) the chiasm, understood from a systems perspective, and his method of the hyperdialectic are applied in a child case study of an infant who suffered severe neglect in a Romanian orphanage. (shrink)

ABSTRACT In the ‘Cook Ding cutting up an ox’ parable, Zhuangzi advanced a doctrine on craft and its relationship with Dao. With reference to Merleau-Ponty’s philosophy in conjunction with an analysis of Zhuangzi’s epistemological position, we argue that Zhuangzi understood craft as involving the supersession of the cognitive. In craft, the relationship between human and world is non-cognitive and ‘pre-objective’, the living of this kind of relationship gives rise to a non-cognitive ‘practical sense’ which enables the craftsman’s movements to spontaneously (...) constitute wuwei. Zhuangzi’s ideal is that this kind of relationship is generalized to life as a whole, thereby enabling human actions to spontaneously constitute wuwei generally. This is why he stipulated ‘doing away with knowing’ as a self-cultivation technique required for attaining Dao. Thus, craft constitutes an embodiment of Dao in the double-sense of wuwei and the non-cognitive and ‘pre-objective’ relationship between human and world which enables wuwei. (shrink)

THIS PAPER COMPARES THE WORK OF MERLEAU-PONTY WITH THAT OF MARCEL, TO WHOM HE IS SAID TO OWE A MAJOR INTELLECTUAL DEBT. ALTHOUGH THERE ARE APPARENT SIMILARITIES TO BE FOUND IN THEIR WORK, ESPECIALLY IN THEIR CONCEPTS OF "INCARNATION" AND "SITUATION," THERE ARE STRIKING DIVERGENCES IN THEIR VIEWS ABOUT "HISTORY." A STUDY OF THESE POINTS THE WAY TO AN EXPLORATION OF YET MORE FUNDAMENTAL DISAGREEMENTS BETWEEN THEIR SUPERFICIALLY SIMILAR "PHILOSOPHIES OF EXISTENCE.".

This article provides a critique of the postmodernist notion that there has been of recent years a dissolution of the divide between aesthetics and practical activities, between Art and Life. It does so by considering the game of soccer from a phenomenological viewpoint, which shows that the game possesses intrinsically ‘aesthetic’ qualities. The conditions of possibility of such qualities are understood by introducing the idea of the ‘proto‐aesthetics’ of soccer and other mundane phenomena. By considering the proto‐aesthetics of the quotidian (...) we argue that recent changes in the nature of practical life should not be regarded as due to ‘aestheticisation’ but rather as springing from processes of commodification. (shrink)

Phenomenology’s return to lived experience and “to the things themselves” is often contrasted with the synthesized perspective of science and its “view from nowhere.” The extensive use of neuropsychological case reports in Merleau-Ponty’s Phenomenology of Perception, however, suggests that the relationship between phenomenology and science is more complex than a sheer opposition, and a fruitful one for the praxis of medicine. Here, I propose a new reading of how Merleau-Ponty justifies his use of Adhémar Gelb and Kurt Goldstein’s reports on (...) Johann Schneider for his phenomenology of embodied perception. I argue that for Merleau-Ponty these neuropsychological case reports represent a coherent deformation of the intercorporeally expressed existence of Schneider that through speech fall again onto the common ground of perception, thereby allowing Merleau-Ponty to understand, in the equivalent sense delivered by language, Schneider’s total being and fundamental illness. I then discuss what Merleau-Ponty’s method implies for a phenomenological praxis of medicine, and for the role of science in this praxis. (shrink)

Two different meanings of understanding are central to the question, Can a computer understand? The traditions associated with these two meanings are briefly traced, focusing on the continental verstehen tradition. It is argued that a beneficial dialog can emerge between these traditions, and that the presentations herein selected contribute to such a dialog.

In this paper, I examine how Merleau-Ponty develops Husserl’s genetic phenomenology through an elaboration of language, which is largely influenced by Saussure’s linguistics. Specifically, my focus will be on the unpublished notes to the course Sur le problème de la parole. I show how Merleau-Ponty recasts Husserl’s notion of the historicity of truth by means of an inquiry into the relation between truth and its linguistic expression. The account that Merleau-Ponty offers differs from Husserl’s in two important respects. Firstly, whereas (...) Husserl describes a regressive inquiry of truth, Merleau-Ponty describes a regressive movement of truth, where every acquired truth seizes the tradition that precedes it. Secondly, this new notion of truth, and its dependency on its proper expression, opens up a new understanding of literature. (shrink)

Volume one looks at the language of spirituality to deepen our understanding of the suicidal crisis. Spirituality remains the primary motivation for my work. However, two other significant influences have emerged in my research. The first is the intellectual tradition from the school of philosophy known as phenomenology. The second is only at an embryonic stage as a academic discourse. This is the social change, human rights movement that is becoming known as Mad Culture. The accompanying volume to this exegesis, (...) Thinking About Suicide, gives expression to the lived experience of suicidality as I have lived it and in my own words. Throughout Thinking About Suicide there is a theme of story-telling, a theme that continues here. Two distinct voices are used to tell the stories of Thinking About Suicide - a narrative voice that tells of my personal journey into and out of suicidality, and a commentary voice that reflects on that history. The aim of Thinking About Suicide is to encourage and contribute to a broad community conversation about suicide, so both these voices are in plain language to speak to that audience. In this exegesis, a third voice is heard, an academic voice telling academic 'stories'. These stories are told here through a selection of the academic papers that were written during the research and which represent the three central issues of my thesis and this exegesis: firstly, a phenomenology of the subjective, lived experience of suicidality; secondly, an anthropological or cultural critique of suicidology; and thirdly, a role for spirituality in understanding the suicidal crisis of the self. (shrink)