Recent years have witnessed a surge of interest in the early phases of the phenomenological movement. However, early phenomenological aesthetics has so far received very little attention in the current “Renaissance” of early phenomenology, albeit that the early phenomenologists made significant contributions to aesthetics and even argued for a special affinity between aesthetics and phenomenology. They also took part in the exceptionally lively debates of early 20th-century German aesthetics, which in general has remained all too underappreciated in today’s research. This (...) special issue of the Journal of Aesthetics and Phenomenology aims to kindle new interest in early phenomenological aesthetics and its wider intellectual contexts. In this introductory article, I will first provide a short overview of early phenomenology and then describe the main topics, proponents, and publications of early phenomenological aesthetics, setting them in the context of early 20th-century German aesthetics. (shrink)

The Idea of Phenomenology is the result of the first course in which Husserl presented disciplinary developments after the transcendental turn occurred around 1905. It is therefore not only an important document of this turning, but also a high-impact work on the subsequent phenomenological tradition. In this paper we study three aspects of the category of enigma : the way in which it characterizes transcendence, the figure of objectors and the issue of donation and its modes. This analysis will highlight (...) unexplored aspects of transcendental phenomenology at its early stages. (shrink)