Indirect realists maintain that our perceptions of the external world are mediated by our 'perceptions' of subjective intermediaries such as sensations. Multiple reference occurs when a word or an instance of it has more than one reference. I argue that, because indirect realists hold that speakers typically and unknowingly directly perceive something subjective and indirectly perceive something objective, the phenomenon of multiple reference is an important resource for their view. In particular, a challenge that A. D. Smith has recently put (...) forward for indirect realists can be overcome by appreciating how multiple reference is likely to arise when a projectivist variety of indirect realism is interpreted by speakers adhering to a naïve direct realism. (shrink)

I defend a perceptual account of face-to-face mindreading. I begin by proposing a phenomenological constraint on our visual awareness of others' emotional expressions. I argue that to meet this constraint we require a distinction between the basic and non-basic ways people, and other things, look. I offer and defend just such an account.

Cross-modal perceptual illusions occur when a stimulus to one modality impacts perceptual experience associated with another modality. Unlike synaesthesia, cross-modal illusions are intelligible as results of perceptual strategies for dealing with sensory stimulation to multiple modalities, rather than as mere quirks. I argue that understanding cross-modal illusions reveals an important flaw in a widespread conception of the senses, and of their role in perceptual experience, according to which understanding perception and perceptual experience is a matter of assembling independently viable stories (...) about vision, audition, olfaction, and the rest. (shrink)

There is a traditional conception of sensory experience on which the experiences one has looking at, say, a cat could be had by someone merely hallucinating a cat. Disjunctivists take issue with this conception on the grounds that it does not enable us to understand how perceptual knowledge is possible. In particular, they think, it does not explain how it can be that experiences gained in perception enable us to be in ‘cognitive contact’ with objects and facts. I develop this (...) chal- lenge to the traditional conception and then show that it is possible to accommo- date an adequate account of cognitive contact in keeping with the traditional conception. One upshot of the discussion is that experiences do not bear the explanatory burden placed upon them by disjunctivists. (shrink)

According to Paul Snowdon, one directly perceives an object x iff one is in a position to make a true demonstrative judgement of the form “That is x”. Whenever one perceives an object x indirectly (or dependently , as Snowdon puts it) it is the case that there exists an item y (which is not identical to x) such that one can count as demonstrating x only if one acknowledges that y bears a certain relation to x. In this paper (...) I argue that what we hear directly are sounds, and that material objects (such as violins and goldfinches) are only indirectly heard. However, there are cases of auditory object perception that should count as direct : Some blind persons’ ears are so sensitive to the way sound waves are modified by things in their surroundings that they can detect objects such as other persons, fences or trees. Interestingly, objects localized in this way make themselves felt via a kind of pressure in the perceiver’s face (that is why the phenomenon is commonly called “facial vision”), the perception is phenomenally quite different from hearing. Since, to some degree, most people are able to conclude from the way it sounds that, say, they stand at the foot of a concrete wall (when there is enough traffic noise around), we can imagine situations where two persons perceive the same wall, one indirectly (demonstratively apprehending sounds) and the other directly (demonstratively apprehending nothing but the wall). These cases invite us to discuss the role phenomenology plays in determining whether an object is perceived directly or indirectly. (shrink)

My paper has three parts. First I will outline the act/object theory of perceptual experience and its commitments to (a) a relational view of experience and (b) a view of phenomenal character according to which it is constituted by the character of the objects of experience. I present the traditional adverbial response to this, in which experience is not to be understood as a relation to some object, but as a way of sensing. In the second part I argue that (...) acceptance of (a) is independent of acceptance of (b). I then present a modified adverbialism that presents experience as relational in nature but whose character is nevertheless to be explained in terms of the way in which one senses an object. Finally, I will offer an explanation of how a naïve realist about experience can adopt this modified adverbialism and in so doing accommodate the possibility of perceptual error. (shrink)