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  1. Eye of the Beholder: Stage Entrance Behavior and Facial Expression Affect Continuous Quality Ratings in Music Performance.Aaron Williamon & George Waddell - 2017 - Frontiers in Psychology 8.
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  • Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance.Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Ioana M. Dalca & Daniel J. Levitin - 2011 - Cognition 118 (2):157-170.
  • Music evoked emotions are different–more often aesthetic than utilitarian.Klaus Scherer & Marcel Zentner - 2008 - Behavioral and Brain Sciences 31 (5):595-596.
    We disagree with Juslin & Vll's (J&V's) thesis that music-evoked emotions are indistinguishable from other emotions in both their nature and underlying mechanisms and that music just induces some emotions more frequently than others. Empirical evidence suggests that frequency differences reflect the specific nature of music-evoked emotions: aesthetic and reactive rather than utilitarian and proactive. Additional mechanisms and determinants are suggested as predictors of emotions triggered by music.
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  • Acoustic Constraints and Musical Consequences: Exploring Composers' Use of Cues for Musical Emotion.Michael Schutz - 2017 - Frontiers in Psychology 8.
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  • Singing emotionally: a study of pre-production, production, and post-production facial expressions.Lena R. Quinto, William F. Thompson, Christian Kroos & Caroline Palmer - 2014 - Frontiers in Psychology 5.
  • Cueing musical emotions: An empirical analysis of 24-piece sets by Bach and Chopin documents parallels with emotional speech.Matthew Poon & Michael Schutz - 2015 - Frontiers in Psychology 6.
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  • Come on Baby, Light My Fire: Sparking Further Research in Socio-Affective Mechanisms of Music Using Computational Advancements.Ilana Harris & Mats B. Küssner - 2020 - Frontiers in Psychology 11.
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  • Effect of Long-Term Music Training on Emotion Perception From Drumming Improvisation.Martina Di Mauro, Enrico Toffalini, Massimo Grassi & Karin Petrini - 2018 - Frontiers in Psychology 9.
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  • Cross-cultural similarities and differences.William Forde Thompson & Balkwill & Laura-Lee - 2010 - In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oxford University Press.
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