Saulius Geniusas’ work on the origins of the horizon is arguably the first book that specifically addresses this fundamental, yet frequently neglected, issue in Husserl’s phenomenology. It attempts to fill this gap in philosophical inquiry by highlighting the elementary fact of the irreducible horizonal givenness of both world and subjectivity, and he does so by taking as a clue the question of the horizon’s origins. The horizon’s unique feature consists in being a “peculiar figure of intentionality” whose problematic “unfolds as (...) inseparably tied to the question of origins” (p. 9). The book is structured in 13 chapters arranged in three major Parts. The first chapter is a general introduction. Part I deals with the problem of the emergence of the horizon. Part II is concerned with the horizons of transcendental subjectivity, and Part III discusses the world-horizon.The inquiry into the emergence of the notion of horizon begins in Chap. 2 of Part I by addressing Husserl’s remark that th. (shrink)

In his paper, “The Dorsal Stream and the Visual Horizon,” Michael Madary argues that “dorsal stream processing plays a main role in the spatiotemporal limits of visual perception, in what Husserl identified as the visual horizon” (Madary 2011, p. 424). Madary regards himself as thereby providing a theoretical framework “sensitive to basic Husserlian phenomenology” (Madary 2011). In particular, Madary draws connections between perceptual anticipations and the experience of the indeterminate spatial margins, on the one hand, and the Husserlian spatiotemporal visual (...) horizons, on the other. I argue that Madary’s arguments, for a Husserlian view of the two visual systems, are not convincing. When the notion of visual horizon is adequately understood as a constitutive notion, there will be reason to regard the connections between dorsal processing and the Husserlian spatiotemporal horizons as tenuous at best. (shrink)

In this paper I develop a novel account of the phenomenality of language by focusing on characteristics of perceived speech. I explore the extent to which the spoken word can be said to have a horizonal structure similar to that of spatiotemporal objects: our perception of each is informed by habitual associations and expectations formed through past experiences of the object or word and other associated objects and experiences. Specifically, the horizonal structure of speech in use can fruitfully be compared (...) to that of a tool in use. The comparison suggests an account of our linguistic faculty as continuous with more foundational faculties of perception and action. I provide empirical corroboration of this account by drawing on recent neuroimaging studies of the multimodal, sensorimotor bases of speech comprehension. I then discuss how such an understanding of our linguistic ability helps advocates of embodied, non-representationalist accounts of cognition respond to a common objection. Critics grant that embodied approaches may be adequate to account for lower-level, online modes of cognition, such as perception and action, which directly engage their object. But they question whether such approaches can “scale up” to higher modes of cognition, such as imagination, memory, thought, and language, which can entertain absent, non-existent, or abstract objects. By providing a plausible account of the continuity of lower cognition and language-involving cognition, my approach responds to this objection, at least where language is concerned. (shrink)

In a late notation from 1932, Husserl emphasizes the fact that a broad concept of “apperception” should also include, alongside his usual examples, the apprehension of objects as bearers of an individual or inter-subjective past, specifically “indicated” with them; thus, he distinguishes between apperceptions “appresenting” a simultaneous content (co-presentations), anticipatory apperceptions pointing to future incidents, and retrospective apperceptions referring to “ad-memorized” ( hinzuerinnert , ad - memoriert ) features and events. The latter sort of apperceptions are involved not only in (...) our apprehension of historical traces and relics, but also in that of causal relations, familiar objects, and cultural objects in general. Following several later notations of Husserl concerning the topic of “apperceptions,” this paper outlines the specific intentional structure of retrospective or evocative apperceptions, analyzing their various possible forms. (shrink)

One of the more ambitious and yet fruitful attempts in recent years to untangle general questions about the nature of aesthetic phenomena and their socially constituted nature rests in Lambert Zuidervaart’s critical hermeneutical theory of artistic truth. In this paper, I explore one part of Zuidervaart’s project, namely his conception of “aesthetic validity as a horizon of imaginative cogency.” I seek to develop Zuidervaart’s conception by bringing his thesis into dialogue with phenomenological analyses of “horizon” and the collective intentional approach (...) to institutional and social objects. Zuidervaart relies primarily on Gadamer’s view of horizon, but does not offer very much by way of clarification as to exactly what a horizon is. Phenomenological analysis of horizon should serve to add content to the idea of horizon. I contend that the Husserlian notion is both more informative and has more utility for Zuidervaart’s project. (shrink)

This article extends Aron Gurwitsch’s ( 1964 ) central insight about the field of consciousness—that it is always organized in a theme, thematic field, margin pattern—to the human capacity for reverence. It offers an original phenomenology of reverent awe, inspired by Gurwitsch’s work, as an articulation of reverential index and reverential attitude. According to Paul Woodruff ( 2014 ) in Reverence: Renewing a Forgotten Virtue, reverence names those times when we become aware of something larger than human and simultaneously our (...) human limitations. By bridging the concepts of reverence from Woodruff and relevancy from Gurwitsch, this study shows that in reverent awe the emphasis in consciousness shifts to the edge of relevancy, the zones farthest removed from the theme, as the “indefinite continuation of context,” “order of existence,” or what Gurwitsch also calls an “inarticulate mass”. Reverent awe is clarified phenomenologically as an emphasis in consciousness between the theme and the order of existence as indefinite continuation of thematic context, maintaining a specific relevancy-principle (a Gestalt-connection) between the theme and the order of existence. In a reverential attitude with a reverential index we become aware more immediately of an order of existence and we become aware of our place in the order of existence. (shrink)

The state of our current world has brought about a very active discussion concerning possible alternatives to our current society. In this article, I wish to consider Marx’s idea of communism as a possible alternative, by understanding it as an undetermined concept that only proposes a society without classes and private property. The thesis I will defend here is that we can meaningfully think about such an alternative through the means of Science Fiction literature. In particular, I will take Ursula (...) Le Guin’s The Dispossessed (2006) as a case study. To clarify this relation between science fiction (SF) literature and communism as a particular case of an alternative society, I will introduce some concepts of Edmund Husserl’s phenomenological theory. Thus, I shall argue that in SF we can presentify in bounded phantasy an alternative lifeworld, so furnishing with content the undetermined idea, and in doing so, strengthen the belief in the possibility of such an alternative society. (shrink)