In recent years there has been an increasing focus on the role of instruments in the study of nature, both by historians and by philosophers of science, and even by a few art historians who are interested by the images produced by these devices.

In recent years there has been an increasing focus on the role of instruments in the study of nature, both by historians and by philosophers of science, and even by a few art historians who are interested by the images produced by these devices.

The ArugmentThis essay answers a single question: what was Robert Hooke, the Royal Society's curator of experiments, doing in his well-known 1665 work,Micrographia?Hooke was articulating a “universal cure of the mind” capable of bringing about a “reformation in Philosophy,” a change in philosophy's interpretive practices and organization. The work explicated the interpretive and political foundations for a community of optical instrument users coextensive with the struggling Royal Society. Standard observational practices would overcome the problem of using nonstandard instruments, while inherent (...) inrepresentation– the interpretive practice championed in the text – were important theological and political meanings. Hooke's kind of experimental philosophy undermined the claims made by “atheists” and “enthusiasts” – the enemies of the restored church and state – while also producing useful knowledge. Equally important, Hooke modeled the community described inMicrographiaupon the classicalres publica, but his community made important concessions to Restoration political realities, especially the growing role of commercial or transactional relationships. (shrink)

This article illustrates how during early modernity Italian and Dutch cultures and particularly artistic traditions contributed differently to both the theoretical and practical developments of science. To achieve this goal, it will firstly compare the two forms of detextualization of space operated by Italian artists and by Dutch artists. Finally, it will indicate how each detextualization allowed for the development within the science of the mathematical tradition by the Italian Culture and the experimental tradition by the Dutch culture.