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  1. Sound and Notation: Comparative Study on Musical Ontology.So Jeong Park - 2017 - Dao: A Journal of Comparative Philosophy 16 (3):417-430.
    Music is said to consist of melody, rhythm, and harmony. Sound is assumed to be something that automatically follows once musical structure is determined. Sound, which is what actually impinges on our eardrums, has been so long forgotten in the history of musical theory. It is ironic that we do not talk about the music which we hear every day but rather are exclusively concerned about the abstracted structure behind it. This is a legacy of ancient Greek ideas about music, (...)
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  • Songs for the Ego: Theorizing Musical Self-Enhancement.Paul Elvers - 2016 - Frontiers in Psychology 7.
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  • The Sound of Success: Investigating Cognitive and Behavioral Effects of Motivational Music in Sports.Paul Elvers & Jochen Steffens - 2017 - Frontiers in Psychology 8.
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  • Exploring the musical taste of expert listeners: musicology students reveal tendency toward omnivorous taste.Paul Elvers, Diana Omigie, Wolfgang Fuhrmann & Timo Fischinger - 2015 - Frontiers in Psychology 6:154078.
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  • Sculpting the space of actions. Explaining human action by integrating intentions and mechanisms.Machiel Keestra - 2014 - Dissertation, University of Amsterdam
    How can we explain the intentional nature of an expert’s actions, performed without immediate and conscious control, relying instead on automatic cognitive processes? How can we account for the differences and similarities with a novice’s performance of the same actions? Can a naturalist explanation of intentional expert action be in line with a philosophical concept of intentional action? Answering these and related questions in a positive sense, this dissertation develops a three-step argument. Part I considers different methods of explanations in (...)
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