Brown, N.C.M., Barker, T.S. and Del Favero, D. (2011) Performing digital aesthetics: the framework for a theory of the formation of interactive narratives. Leonardo: Art Science and Technology, 44(3), pp. 212-219. (doi: 10.1162/LEON_a_00165)
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Abstract
Interactive narratives are inextricable from the way that we understand our encounters with digital technology. This is based upon the way that these encounters are processually formed into a narrative of episodic events, arranged and re-arranged by various levels of agency. After describing past research conducted at the iCinema Research Centre at the University of New South Wales, this paper sets out a framework within which to build a relational theory of interactive narrative formation, outlining future research in the area.
Item Type: | Articles |
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Status: | Published |
Refereed: | Yes |
Glasgow Author(s) Enlighten ID: | Barker, Professor Timothy |
Authors: | Brown, N.C.M., Barker, T.S., and Del Favero, D. |
Subjects: | B Philosophy. Psychology. Religion > B Philosophy (General) B Philosophy. Psychology. Religion > BH Aesthetics N Fine Arts > N Visual arts (General) For photography, see TR T Technology > T Technology (General) |
College/School: | College of Arts & Humanities > School of Culture and Creative Arts > Theatre Film and TV Studies |
Journal Name: | Leonardo: Art Science and Technology |
Publisher: | MIT Press |
ISSN: | 0024-094X |
ISSN (Online): | 1530-9282 |
Published Online: | 03 May 2011 |
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