Abstract
The metaphor of the “midworld” refers to Emerson's conception of the realm between the human process and nature. In his earlier writings, poetry served as a linguistic midworld that made it possible for the self to relate to the innumerable orders of nature. By the 1840's Emerson's thought had taken a much more skeptical turn and had moved decisively away from his earlier linguistic idealism. As a consequence, his conception of the nature of the midworld changed. The more humble work of the farmer came to represent more clearly the actual development of the midworld. In agricultural production, the basic features of nature became more directly available to the self. By the 1870's Emerson recognized that the farmer and the poet were both representatives of the midworld that made nature actual to the human process.
This is a preview of subscription content, log in via an institution to check access.
Similar content being viewed by others
Additional information
Robert S. Corrington has taught at The Pennsylvania State University and The College of William and Mary. In the Fall of 1990 he will become Visiting Associate Professor of Philosophical Theology in the Theological and Graduate Schools of Drew University. He has published over 25 articles in such areas as American Philosophy, theology, semiotics, and Continental Philosophy. He is co-editor of:Pragmatism Considers Phenomenology (1987), Justus Buchler'sMetaphysics of Natural Complexes, Second Expanded Edition (1989), andNature's Perspectives: Prospects for Ordinal Metaphysics (1990). He is author ofThe Community of Interpreters (1987). He has just completed his second book,Nature and Spirit: An Essay in Ordinal Phenomenology. He is the recipient of the Church Divinity, Greenlee and John William Miller Prizes.
Rights and permissions
About this article
Cite this article
Corrington, R.S. Emerson and the agricultural midworld. Agric Hum Values 7, 20–26 (1990). https://doi.org/10.1007/BF01530600
Issue Date:
DOI: https://doi.org/10.1007/BF01530600