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Looking into meta-emotions

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Abstract

There are many psychic mechanisms by which people engage with their selves. We argue that an important yet hitherto neglected one is self-appraisal via meta-emotions. We discuss the intentional structure of meta-emotions and explore the phenomenology of a variety of examples. We then present a pilot study providing preliminary evidence that some facial displays may indicate the presence of meta-emotions. We conclude by arguing that meta-emotions have an important role to play in higher-order theories of psychic harmony and that Frankfurt-style accounts, which explain a person’s “reflective self-endorsement” exclusively in terms of volitional hierarchies, are inchoate and need to be augmented by a theory of meta-emotions.

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Notes

  1. Among the few recent articles that have addressed meta-emotions from a philosophical point of view are Jäger and Bartsch (2006) and Mendonça (2013). Jäger and Bartsch (2006, p. 199) conclude that “whatever format an acceptable theory of emotions adopts, it should be equipped to deal with meta-emotions”. I stick to this claim. Mendonça (2013, p. 390) concurs with us about the “necessity of considering metaemotions for a complete emotion theory”, yet at the same time she argues that “metaemotions cannot be handled as a special case of emotion because reflexivity modifies the nature of our emotional world” (p. 391). Even if this latter claim were true we cannot see how it would follow that meta-emotions fail to constitute emotions. And if they did, why should a theory of the emotions account for them? A brief discussion of “layered emotions” can also be found in Pugmire (2005), p. 174, who argues that “certain types of emotion themselves reverberate in the mind emotionally”. Susan Feagin has argued that the “pleasures of tragedy” are “meta-responses” arising from “our awareness of, and in response to, the fact that we do have unpleasant direct responses to unpleasant events as they occur in the performing and literary arts” (1983, p. 209).

  2. Philosophers who stress this include Griffiths (1997), Prinz (2004), Robinson (2004), De Sousa (2010, cf. p. 96), and Nussbaum (2013). For example, Griffiths (1997, p. 1) writes that “questions about the nature of emotions cannot be answered in the armchair alone but must be sought in part by empirical investigation of emotional phenomena”.

  3. “Homo potest amare amorem, et dolere de dolere. Ergo etiam pari ratione potest timere timorem” (Aquinas, ST, I–II, q. 42, art. 4, s.c. and corpus).

  4. “Melancholy is the joy of being sad”, says Victor Hugo (“La mélancolie, c’est le bonheur d’être triste”, Les Travailleurs de la Mer, part III, book 1, chapter 1, p. 252.). In Tolstoy’s War and Peace Count Pierre Bezukhov feels devastated when he has split up with his wife and killed his suspected rival in a duel: “Everything within and around him seemed confused, senseless, and repellent. Yet in his very repugnance of his circumstances, Pierre found a kind of tantalizing satisfaction” (book 5, chapter 1). Consider also a passage in Augustine’s Confessions, when he contemplates the seemingly paradoxical fact that sometimes “sorrow itself becomes a pleasure” and “tears and sorrows are loved” (“[D]olor ipse est voluptas eius. ... Lacrimae ... amantur et dolores.” (III, 2, 2, and 2, 3.)

  5. For an interesting negative-positive example see also David Pugmire (2005, p. 174): “I may be ... aghast to find that I am relieved at a certain thing (that a defining personal challenge has passed me by)”.

  6. Cf. Nussbaum (2004, p. 196), or Solomon’s (1976) defense of such a strong form of cognitivism and his summary in (2003). For a recent overview with a particular focus on Solomon’s work see Deigh (2013).

  7. Cf., e.g., Ben Zee’ev (2000), Ben Ze’ev (2010), pp. 47–48. Typically, multi-component views also include physiological and motor expression components. Other authors who endorse various forms of multi-component views include Goldie (2000), Roberts (2003), Pugmire (2005), Deonna and Teroni (2012), Mulligan and Scherer (2012).

  8. Ben-Ze’ev maintains that “[e]motions occur when a change is appraised as relevant to our personal concerns” (2000, p. 18). Even William James, who famously construes emotions as “feelings of bodily changes that follow directly the perception of the exciting fact” (1890, vol. II, p. 449) argues that what produces the emotion is “the overriding idea of the significance of the event” (James 1894, p. 518).

  9. For a more comprehensive argument concerning this point about appraisal theories see Jäger and Bartsch (2006).

  10. Media psychologists have also investigated the seemingly paradoxical enjoyment of films that elicit emotions with primarily negative hedonic valence, such as fright, horror, or disgust (Oliver 1993; Bartsch et al. 2010).

  11. Teroni (2007) calls such objects “particular objects” of emotions. Among the most detailed discussions of different kinds of object-relatedness of emotions is De Sousa’s (1987), chapters 4 and 5.

  12. De Sousa (1987) even argues that “there are as many formal objects as there are different emotion types” (p. 123), and that “formal objects do not merely constrain the emotion, they define it” (p. 126). For a critical discussion of this claim and further details about the formal objects of emotions see also Teroni (2007).

  13. For further explorations of the relation between formal objects of intentional attitudes and the latter’s correctness conditions see Mulligan (2007).

  14. A more detailed argument for this claim, including analyses of various kinds of privileged access claims about affective states and episodes, can be found in Jäger (2009).

  15. Cf. Amis (1955), chapter 7. This passage has made it into Michael Clark’s list of famous paradoxes (Clark 2012, pp. 183–84). Whether or not it is a paradox, the story involves meta-emotions.

  16. Another, similar coding system had first been proposed by Hjortsjö (1969).

  17. For critical discussions see for example Russell (1995), Russell and Fernández-Dols (1997), Fernández-Dols and Ruiz-Belda (1995, 1997), Fridlund (1997), Parkinson, Fischer and Manstead (2005), ch. 6. Proponents of facial expression approaches include, in addition to Darwin (1872) and Ekman and Friesen, Izard (1971, 1994), Scherer and Wallbott (1994), Frijda and Tcherkassof (1997), Scherer and Grandjean (2008). For a helpful overview of the literature both critical and in defense of facial action studies see also Niedenthal and Krauth-Gruber (2006), chapter 4. We discuss some of the criticisms below.

  18. The footage is archived at the Institute of Psychology, University of Innsbruck, Prof. Eva Bänninger-Huber, and can be inspected on demand.

  19. Different theorists classify different emotions as basic. For an overview see Ekman (1982, 1999a, b). The assignments of AUs to emotions are based on a rich empirical database (see, e.g., Ekman and Rosenberg 2005).

  20. Such interactions are a specific form of diagnostic interview which, on the basis of the patient’s symptoms, aim to assign specific mental disorders to the patient (such as depression, personality disorders, or eating disorders).

  21. See, e.g., Ricci Bitti et al. (1989), Matsumoto (1992). “Contempt” is the standard term FACS studies and theories of “basic emotions” use here. It typically serves as an umbrella term for emotions of disapproval.

  22. An anonymous referee has pressed us on this point.

  23. Parkinson, Fischer and Manstead, in a detailed chapter on “Moving Faces in Interpersonal Life”, argue that “rather than claiming that facial movements display social motives instead of expressing emotions, ... it is possible to conclude that they communicate both kinds of information in different circumstances” (2005, p. 169, our emphasis). We believe that they can do both even in one and the same situation.

  24. For a detailed discussion see, e.g., Niedenthal and Krauth-Gruber (2006), chapter 4, or Parkinson et al. (2005), pp. 170–174.

  25. Thanks to an anonymous referee for this objection and the next.

  26. These include, to mention just a few, Michael Bratman, Sarah Buss, Wayne Davis, John Martin Fischer, Christine Koorsgaard, Richard Moran, Eleonore Stump, Thomas Scanlon, Michael Taylor, Gary Watson, Susan Wolf, Linda Zagzebski, and many others. For some representative discussions and Frankfurt’s replies, see for example the essays in Buss and Overton (eds.) (2002).

  27. For more on this point and further arguments for distinguishing emotions from desires see, e.g., Deonna and Teroni (2012), chapters 1 and 3.

  28. Note that if you have a first-order emotion with a negative hedonic tone it need not be negative in other respects (e.g., it needn’t be normatively or morally inappropriate). For example, you may be tormented by deep grief about the loss of a loved one but accept this grief as perfectly appropriate.

  29. Frankfurt occasionally describes our first-order “psychic raw material” in terms of “cognitive, affective, attitudinal, and behavioral processes” or “feelings, desires, ... attitudes and motives” (Frankfurt 1992, p. 103, 2006, pp. 5–6). Accordingly, some commentators have touched on the topic of emotions. For example, Buss (2002, p. xi) characterizes Frankfurt’s view of self-alienation by saying that “most of us find it difficult to identify wholeheartedly with all of our emotions, desires, and inclinations”. However, Frankfurt unperturbedly continues to portray the kind of (dis)harmony at issue in terms of volitional hierarchies.

  30. “Odi et amo. Quare id faciam fortasse requiris. Nescio. Sed fieri sentio et excrucior.” Catullus (CAR), Carmen 85.

  31. For helpful discussions we wish to thank Katherine Dormandy and two anonymous referees for Synthese.

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Jäger, C., Bänninger-Huber, E. Looking into meta-emotions. Synthese 192, 787–811 (2015). https://doi.org/10.1007/s11229-014-0588-x

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