Sound and Vision

Authors

  • Edward Jones-Imhotep York University

DOI:

https://doi.org/10.4245/sponge.v6i1.16216

Abstract

Over the last two decades, Science Studies has produced a fascinating body of literature on visual representation. A crucial part of that literature has explored the materiality of visual representation, primarily the “rendering practices” that make visual representations possible and embody epistemic virtues attached to the scientific self. This essay explores the practices and capacities that support visual representation, but it looks to a seemingly unlikely place for inspiration—the growing literature on the uses of sound in science. My interest here is to see how that literature points us to a view of sound as an epistemic resource that supports the visual. If there is a visual emphasis in modern science, it is made possible by a set of material practices that are only partly visual. As such, this essay suggests how the history of visual representations in science might be bound up with a history of scientific aurality.

Author Biography

Edward Jones-Imhotep, York University

Edward Jones-Imhotep is Associate Professor of Science and Technology Studies, and Associate Director of the Institute for Science, Technology and Society at York University. He specializes in the history of modern technology. His publications include “Communicating the North: Representation, Practice and National Identity in Cold-War Canada,” Osiris 24 (2009): 144-64 (special issue on Science, Technology and National Identity) and “Icons and Electronics,” Historical Studies in the Natural Sciences 38 (2008): 405-50. His current research project “Reliable Humans, Trustworthy Machines” examines the history of technological reliability as a history of the technological self.

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Published

2012-10-03

Issue

Vol. 6 No. 1 (2012): Visual Representation and Science

Section

Focused Discussion

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