Hostname: page-component-8448b6f56d-jr42d Total loading time: 0 Render date: 2024-04-23T10:31:51.774Z Has data issue: false hasContentIssue false

Kant on the Normativity of Creative Production

Published online by Cambridge University Press:  27 January 2012

Lara Ostaric*
Affiliation:
St. Michael's College

Abstract

In this essay, I argue that a genius's creation consists of a special unity of free human activity and nature, whereby ‘nature’ signifies not just another aspect of, but rather something that transcends, creative subjectivity. This interpretation of a genius's creative process throws a new light on a special normative status of a genius's rule, i.e. its originality and exemplarity. With respect to the former, I demonstrate that because the organizing principle of the works of genius remains inscrutable to our limited human understanding, a work of genius appears to the observer's limited cognitive capacities as undetermined and, hence, as contingent and original. With respect to the latter, I show how a genius must evolve within the context of her own tradition and how this ‘humbleness’ of a genius still allows for a multiplicity of co-existent schools or genres with their own distinct standards of excellence.

Type
Articles
Copyright
Copyright © Kantian Review 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Allison, Henry E. (2000) ‘Is the Critique of Judgment Post-Critical?’. In S. Sedgwick (ed.), The Reception of Kant's Critical Philosophy: Fichte, Schelling, and Hegel (Cambridge: Cambridge University Press), 7892.CrossRefGoogle Scholar
Allison, Henry E. (2001) Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Ameriks, Karl (2003) Interpreting Kant's Critiques. Oxford and New York: Oxford University Press.CrossRefGoogle Scholar
Ameriks, Karl (2006) ‘The Critique of Metaphysics: The Structure and Fate of Kant's Dialectic’. In P. Guyer (ed.), The Cambridge Companion to Kant and Modern Philosophy (Cambridge: Cambridge University Press), 269302.CrossRefGoogle Scholar
Desmond, William (1998) ‘Kant and the Terror of Genius: Between Enlightenment and Romanticism’. In H. Parret (ed.), Kants Ästhetik/Kant's Aesthetics/L'esthétique de Kant (Berlin and New York: Walter de Gruyter), 594614.Google Scholar
Düsing, Klaus (1968) Die Teleologie in Kants Weltbegriff. Bonn: H. Bouvier & Co. Verlag.Google Scholar
Giordanetti, Piero (1995) ‘Das Verhältnis von Genie, Künstler und Wissenschaftler in der Kantischen Philosophie’. Kant-Studien, 86, 406430.CrossRefGoogle Scholar
Gammon, Martin (1997) ‘ “Exemplary Originality”: Kant on Genius and Imitation’. Journal of the History of Philosophy, 35/4, 563585.CrossRefGoogle Scholar
Gerard, Alexander (1774) An Essay on Genius. London: W. Strahan.CrossRefGoogle Scholar
Ginsborg, Hannah (1998) ‘Kant on the Subjectivity of Taste’. In H. Parret (ed.), Kants Ästhetik/Kant's Aesthetics/L'esthétique de Kant (Berlin and New York: Walter de Gruyter), 448465.Google Scholar
Gould, Timothy (1982) ‘The Audience of Originality: Kant and Wordsworth on the Reception of Genius’. In T. Cohen and P. Guyer (eds), Essays in Kant's Aesthetics (Chicago and London: University of Chicago Press), 179193.Google Scholar
Guyer, Paul (1983) ‘Autonomy and Integrity in Kant's Aesthetics’. The Monist, 66/2, 167187.CrossRefGoogle Scholar
Guyer, Paul (2005) ‘Exemplary Originality: Genius, Universality, and Individuality’. In Values of Beauty: Historical Essays in Aesthetics (Cambridge: Cambridge University Press, 242262.CrossRefGoogle Scholar
Guyer, Paul (2008) ‘Back to Truth: Knowledge and Pleasure in the Aesthetics of Schopenhauer’. European Journal of Philosophy, 16/2, 164178.CrossRefGoogle Scholar
Henrich, Dieter (1994) The Unity of Reason: Essays on Kant's Philosophy, ed. R. Velkley (Cambridge, MA: Harvard University Press).Google Scholar
Hogan, Desmond (2009) ‘Noumenal Affection’. Philosophical Review, 118/4, 501532.CrossRefGoogle Scholar
Kain, Patrick (2004) ‘Self-Legislation in Kant's Moral Philosophy’. Archive für Gescichte der Philosophie, 86, 257306.Google Scholar
Kivy, Peter (2001) The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius (New Haven, CT: Yale University Press).CrossRefGoogle Scholar
Korsgaard, Christine M. (1996) The Sources of Normativity, ed. O. O'Neill. (Cambridge: Cambridge University Press).CrossRefGoogle Scholar
Lüthe, Rudolf (1984) ‘Kants Lehre von den ästhetischen Ideen’. Kant-Studien, 75, 6576.CrossRefGoogle Scholar
Ostaric, Lara (2010) ‘Works of Genius as Sensible Exhibitions of the Idea of the Highest Good’. Kant-Studien, 101/1, 2239.Google Scholar
Raz, Joseph (2002) The Practice of Value, ed. R. J. Wallace. Oxford: Oxford University Press)Google Scholar
Ritter, JoachimKarlfried, GründerGottfried, Gabriel (eds) (1971–), Historisches Wörterbuch der Philosophie (Basel: Schwabe & Co. Verlag).Google Scholar
Rush, Fred Jr (2001) ‘Kant and Schlegel’. In V. Gerhardt, R.-P. Horstmann, and R. Schumacher (eds), Akten des 9. Internationalen Kant-Kongresses (Berlin: Walter de Gruyter), 618625.Google Scholar
Schlapp, Otto (1901) Kants Lehre vom Genie und die Entstehung der ‘Kritik der Urteilskraft’. Göttingen: Vandenhoek & Ruprecht.Google Scholar
Stadler, Ingrid (1982) ‘The Idea of Art and of its Criticism: A Rational Reconstruction of a Kantian Doctrine’. In T. Cohen and P. Guyer (eds), Essays in Kant's Aesthetics (Chicago and London: University of Chicago Press), 195218.Google Scholar
Tonelli, Giorgio (1966) ‘Kant's Early Theory of Genius (1770–1779): Part I and Part II’. Journal of the History of Philosophy, 4/2, 109131, 4/3, 209–24.CrossRefGoogle Scholar
Tonelli, Giorgio (1969) Divinae Particula Aurae; Genial Ideas, Organisms, and Freedom: A Note on Kant's Reflection N. 938’. Journal of the History of Philosophy, 7/2, 192198.CrossRefGoogle Scholar
Wölfflin, Heinrich (1932) Principles of Art History: The Problem of the Development of Style in Later Art, trans. M. D. Hottinger. New York: Dover.Google Scholar
Zammito, John H. (1992) The Genesis of Kant's Critique of Judgment. Chicago and London: University of Chicago Press.Google Scholar