American Journal of Philology

The study of slavery poses significant challenges for classical scholars. Slaves were numerous and ubiquitous in Roman society, and their almost constant presence surely affected the thoughts and behaviors of free persons. Many ancient writers, from almost every genre, provide information about the practice of slavery, but they do not describe what it was like to be a free person surrounded by and dependent upon other human beings whom one considered inferior, yet essential. The proverb quoted by Seneca, totidem hostes esse quot servos, reveals that the pleasures and profits of slave ownership were accompanied by anxieties. These anxieties are the topic of this engaging book. Fitzgerald analyzes representations of slavery in literary texts in order to illuminate the ways in which slave owners imagined, structured and interpreted their experiences of being attended by servants. In the introduction, Fitzgerald provides several definitions of the phrase "living with slaves," which he uses throughout to denote the situation of the slave owner. (Fitzgerald generally uses the noun "master" to designate the dominant figure in the relationship, and masculine pronouns to refer to slaves.) He notes that the Romans inherited from the Athenians a conceptual structure that defined slavery and freedom, like body and mind, as polar opposites, but he suggests that it was difficult to reconcile this [End Page 599] theoretical opposition with the various interactions between slaves and free persons in everyday life. According to Fitzgerald, the slaveholder-slave relationship can best be understood as a set of ambiguities, contradictions, ironies, and paradoxes--whose clarification he undertakes. He maintains that literary texts are an appropriate source of information about the problems generated by living with slaves because "literature is preeminently the place where such complexities are expressed, exploited and managed" (9). He also asserts that slavery provided free persons with a metaphor for a range of other institutions, relationships, and experiences, and even for literature itself.

In chapter 1, Fitzgerald explores literary representations of the slave as an "other self." One striking contradiction inherent in slavery was that a slave owner was best served by a slave who, on the one hand, acted as a mere extension of the owner's will, but, on the other hand, exercised judgment and showed initiative. The process of anticipating their owners' every thought required that slaves possess intimate knowledge of their owners, but this knowledge bestowed a power that was, paradoxically, incompatible with the slaves' subordinate status. Allowing one's slave total access to one's thoughts was, as Fitzgerald declares, one of the "attendant ironies of domination" (13). Silent, watchful slaves could, moreover, be a source of anxiety, if they were imagined to be judging one's behavior. Fitzgerald demonstrates how Horace, in Satires 2.7, exploits the specter of the judgmental slave to articulate a conflict within himself about his moral failings. The outraged and outspoken servile critic is, in fact, the voice of the master's conscience, a master who ironically is himself a critical observer of others. The clever slave and the exasperated slave owner are familiar figures in Roman comedy where, as Fitzgerald remarks, the antagonism that underlay the owner-slave relationship is a focus of comic interest. In real life, intelligent, resourceful slaves were valuable to their owners. In comedy, however, their behavior is portrayed as constantly threatening to the owners, who must assert their dominance through physical abuse. Analyzing a passage in Plautus' Persa (10-12), where a slave compares himself to his master's inflamed eye, Fitzgerald argues that the comparison indicates that the slave, like the eye, is essential to the master's well-being, but nonetheless irritates him and requires frequent scratching (physical abuse). As Fitzgerald points out, the abuse further aggravates, rather than alleviates, the situation, by making the eye/slave more inflamed. Chapter 1 ends with a discussion of poems in which Horace links the slave and the poet as providers of pleasure. Fitzgerald reads Odes 1.38, for example, as a poem in...