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Affiliations
  • Postdoc, Australian National University
  • PhD, Australian National University, 2007.

Areas of specialization

Areas of interest

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About me
My main interest is the philosophy of art. I am neither 'analytic' nor 'continental' in approach. Where questions about the nature and significance of art are concerned, I believe both schools have serious shortcomings. If forced to sum these up in a couple of sentences, I would say that the analytic approach is not really philosophy of art at all but simply the application of the general methodology of analytic philosophy to art as one object among others; while the 'continental' approach is very largely ideology as applied to art. Neither takes art as its starting point. Perhaps, fundamentally, they don't think it important enough...
My works
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  • Derek Allan (2009). Art and the Human Adventure: André Malraux's Theory of Art. Rodopi.
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  • Derek Allan (2009). An Intellectual Revolution André Malraux and the Temporal Nature of Art. Journal of European Studies 39 (2):198-224.
    Very little has been written in recent decades about the temporal nature of art. The two principal explanations provided by our Western cultural tradition are that art is timeless (`eternal') or that it belongs within the world of historical change. Neither account offers a plausible explanation of the world of art as we know it today, which contains large numbers of works which are self-evidently not timeless because they have been resurrected after long periods of oblivion with significances quite different (...)
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  • Derek Allan (2009). 'Reckless Inaccuracies Abounding': André Malraux and the Birth of a Myth. The Journal of Aesthetics and Art Criticism 67 (2):147-158..
    After an initial period of popularity in the 1960s and 1970s, André Malraux’s works on the theory of art, "The Voices of Silence" and "The Metamorphosis of the Gods", lapsed into relative obscurity. A major factor in this fall from grace was the frosty reception given to these works by a number of leading art historians, including E.H. Gombrich, who accused Malraux of an irresponsible approach to art history and of "reckless inaccuracies". This essay examines a representative sample of the (...)
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  • Derek Allan (2007). Art, Time and Metamorphosis. In Jan Lloyd Jones (ed.), Art and Time. Australian Scholarly Publishing.
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  • Derek Allan (2003). André Malraux and the Challenge to Aesthetics. Journal of European Studies 33 (128): 23-40.
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  • Derek Allan (2001). Literature and Reality. Journal of European Studies 31 (122):143-156.
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