Lisa Broussois Université de Lausanne
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About me
Postdoctoral researcher at the University of Lausanne (UNIL) in the project “Natural Law 1625-1850 An International Research Network”. International directors: Knud Haakonssen, Frank Grunert and Diethelm Klippel; local director: Simone Zurbuchen. Funded by the SNSF (Swiss National Science Foundation)
My works
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  1.  11
    Lisa Broussois (2015). Francis Hutcheson on Luxury and Intemperance: The Mandeville Threat. History of European Ideas 41 (8):1093-1106.
    This paper looks at two figures in the modern, European, eighteenth-century debate on luxury. It claims to better understand the differences between Francis Hutcheson and Bernard Mandeville by exploring how Hutcheson treated the topic of luxury as a distinction between two desires, thus differing from Mandeville's concept of luxury, and a concept of temperance based on moral sense. It explores why Hutcheson believed that luxury was a moral, social and political issue and particularly why he considered Mandeville the embodiment of (...)
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    Lisa Broussois (2014). Francis Hutcheson, da beleza à perspectiva do desígnio. Discurso 44:97-126.
    O que é “a outra perspectiva nas obras da natureza”, de que fala Hutcheson? De que forma a beleza provê acesso a ela? O presente artigo discute o lugar dessa “outra perspectiva” na teoria estética de Francis Hutcheson. Trata-se de compreender por que o desígnio (design) surge do belo através de uma reflexão sobre a beleza em sua Investigação sobre a origem de nossas ideias da beleza e da virtude, de 1725. Buscaremos determinar se essa teoria estética estaria subordinada aos (...)
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  3. Lisa Broussois (2012/2013). Anatomie du sens moral : Hume et Hutcheson. Philonsorbonne 7:169.
    Le présent article a pour objectif de mettre en évidence un aspect de l’influence de Francis Hutcheson sur la troisième partie du Traité de la Nature Humaine de David Hume, consacrée à la morale : Hume écrit, en effet, que l’être humain est doté d’un sens moral. Cependant, la distinction qu’il opère entre la philosophie de l’anatomiste et celle du peintre, dans cette œuvre, montre qu’il se refuse à suivre totalement l’exemple de Hutcheson. Hume compte bien, au contraire, approfondir et (...)
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