Online research in philosophy

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• Postdoc, University of Geneva
• PhD, University of Geneva, 2007.

• 20th Century Philosophy
• Aesthetics
• Continental Philosophy

• Philosophy of Cognitive Science
• European Philosophy

My philosophical views

My interest is directed towards the question of bodily subjectivity, drawing from ressources in thinkers such as Aron Gurwitsch, Maurice Merleau-Ponty, Jan Patocka, Michel Foucault and Giorgio Agamben. I have published a few articles on Merleau-Ponty's aesthetics, trying to bring his phenomenology in dialogue with contemporary artists. Merleau-Ponty himself was in constant dialogue with his contemporaries, so why not try the same strategy today. My doctorate was written under the direction of Renaud Barbaras (Paris 1) and is going to be published in G. Olms in 2009; its title is "Parole et subjectivité. Recherches sur la phénoménologie de l'expression".

12 items found. Sort by: publication yearfirst authorviewingsaddition date Stefan Kristensen (2010). Ce Dossier (French). Chiasmi International 12:19-20. No categories Direct download     My bibliography     Export citation   Stefan Kristensen (2010). L'œil et L'esprit de Jean-Luc Godard (French). Chiasmi International 12:129-143. Jean-Luc Godard’s Eye and MindIn his commentary concerning Jean-Luc Godard’s film, Deux ou trois choses que je sais d’elle, the film critic, Alain Bergala, writes that certain sequences of this film are “at the same time cinema and philosophy of cinema, a philosophy not very far from that of Merleau-Ponty in Eye and Mind, but a joyful and actually cinematic philosophy.” Here I propose a reading of Godard’s certain works found in different periods (Deux ou trois choses que je sais (...) d’elle, Ici et ailleurs, Passion et JLG – Autoportrait de décembre), according to this precise axis, namely, as a cinematic response to Merleau-Ponty’s Eye and Mind. To do that presupposes that we open up the stakes of this famous text, which is at the limit of the philosophical and political, and that we grasp the work of the filmmaker as a movement of thought which continues and deepens Merleau-Ponty’s questions concerning the political dimensions of flesh.L’occhio e lo spirito di Jean-Luc GodardNelle sue osservazioni sul film di Jean-Luc Godard, Deux ou trois choses que je sais d’elle, il critico cinematografico Alain Bergala scrive che alcune sequenze del film sono “allo stesso tempo cinema e filosofia del cinema, una filosofia non troppo lontana da quella elaborata da Merleau-Ponty in L’occhio e lo spirito, una filosofia gioiosa e davvero cinematografica.” Propongo qui una lettura di alcune opere godardiane di periodi differenti (Deux ou trois choses que je sais d’elle, Ici et ailleurs, Passion e JLG – Autoportrait de décembre), muovendomi lungo questa stessa linea, dunque intendendo quelle opere come una risposta “cinematografica” a L’occhio e lo spirito. Fare questo significa, d’altra parte, rianimare la posta in gioco di questo celebre testo, situata al limite tra il filosofico e il politico, e assumere l’opera del regista come un movimento di pensiero che prolunga e approfondisce l’interrogazione merleau-pontyana sulle dimensioni politiche della carne. (shrink) Aesthetics Direct download     My bibliography     Export citation   Stefan Kristensen (2010). Questo Dossier (Italian). Chiasmi International 12:23-24. No categories Direct download     My bibliography     Export citation   Stefan Kristensen (2010). This Special Section (English). Chiasmi International 12:21-22. No categories Direct download     My bibliography     Export citation   Stefan Kristensen (2009). Abstract: Body and Symbolization. Chiasmi International 11:337-337. No categories Direct download     My bibliography     Export citation   Stefan Kristensen (2009). Corps et Symbolisation. Chiasmi International 11:321-337. No categories Direct download     My bibliography     Export citation   Stefan Kristensen (2009). Riassunto: Corpo e simbolizzazione. Chiasmi International 11:337-338. No categories Direct download     My bibliography     Export citation   Stefan Kristensen (2007). Abstract: Valéry, Proust and the Truth of the Literary Writing. Chiasmi International 9:350-350. Aesthetics Direct download     My bibliography     Export citation   Stefan Kristensen (2007). Valéry, Proust et la Vérité de l'Écriture Littéraire. Chiasmi International 9:331-349. No categories Direct download     My bibliography     Export citation   Stefan Kristensen (2003). Abstract: Perceptual Faith and Expressive Faith. Chiasmi International 5:281-281. 20th Century Philosophy Direct download     My bibliography     Export citation   Stefan Kristensen (2003). Foi Perceptive et Foi Expressive. Chiasmi International 5:259-280. No categories Direct download     My bibliography     Export citation   Stefan Kristensen (2003). riassunto: Fede percettiva e fede espressiva. Chiasmi International 5:282-282. No categories Direct download     My bibliography     Export citation

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