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  1. Emma Bennett (2014). The Danger and the Saving Power of Thomas Demand. Philosophy of Photography 5 (2):101-118.
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  2. Koray Deg˘Irmenci (2014). Depth of Field. Philosophy of Photography 5 (2):123-129.
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  3. Jonathan Fardy (2014). Of Civil and Social Contracts: Azoulay After Hobbes. Philosophy of Photography 5 (2):133-143.
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  4. Shari Hatt (2014). Dog Portraits. Philosophy of Photography 5 (2):158-159.
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  5. Charles Heller & Lorenzo Pezzani (2014). 'All They Did Was Taking Pictures': Photography and the Violence of Borders. Philosophy of Photography 5 (2):93-97.
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  6. Pat Naldi (2014). Dog Portraits by Shari Hatt. Philosophy of Photography 5 (2):89-92.
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  7. Yanai Toister (2014). Why Be a Photographic Image? Philosophy of Photography 5 (2):161-167.
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  8. Susan Trangmar (2014). Wandering Shards. Philosophy of Photography 5 (2):146-157.
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  9. Ruthie Ginsburg (2014). Exposure: A Civil Politics of Photography. Philosophy of Photography 5 (1):47-64.
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    Elisavet Kalpaxi (2014). From the Borders to Centre Stage: Photographic Self-Portraiture. Philosophy of Photography 5 (1):65-76.
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  11. Idit Elia Nathan (2014). Please Watch U R You Head. Philosophy of Photography 5 (1):35-45.
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  12. Sandra Plummer (2014). Sinaida Michalskaja’s philosophical Windows. Philosophy of Photography 5 (1):2-18.
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  13. Jennifer Stob (2014). Détournement as Optic: Debord, Derisory Documents and the Aerial View. Philosophy of Photography 5 (1):19-34.
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