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  1.  6
    Peter Ainsworth (2015). Evidence and Graham Harman’s Third Table. Philosophy of Photography 6 (1):36-50.
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  2.  5
    Adam Bales (2015). Swiping. Philosophy of Photography 6 (1):131-139.
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  3.  8
    Claire Colebrook (2015). The Becoming-Photographic of Cinema. Philosophy of Photography 6 (1):5-24.
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  4.  6
    Rob Coley (2015). Vector Portraits, or, Photography for the Anthropocene. Philosophy of Photography 6 (1):51-60.
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  5.  6
    John Hunting (2015). Levinas and the Photographic Undergone. Philosophy of Photography 6 (1):73-82.
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  6.  4
    Eileen Little (2015). The Singular Photograph in Durational Time. Philosophy of Photography 6 (1):83-97.
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  7.  2
    Mark Martinez (2015). Photography as a Machine Organism: The Cyberneticization of the Photographic and Techne as Ethics. Philosophy of Photography 6 (1):61-72.
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  8.  4
    Antigoni Memou (2015). La Culture Est L’Inversion de la Vie. Philosophy of Photography 6 (1):159-163.
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  9.  4
    Anita Paz (2015). Towards Thinking in Photography. Philosophy of Photography 6 (1):99-105.
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  10.  5
    John Roberts (2015). The Political Economy of the Image. Philosophy of Photography 6 (1):25-35.
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  11.  5
    Ross Sinclair (2015). A Body of Work – in Character … on the Road with Ross and The Realifers …. Philosophy of Photography 6 (1):141-158.
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  12.  4
    Dario Srbic (2015). Fissures in the Image of Thought: Difference, Photography and the Networked Image. Philosophy of Photography 6 (1):107-113.
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  13.  2
    Nicole Zaaroura (2015). Nicole Zaaroura Interviewed by Pat Naldi. Philosophy of Photography 6 (1):115-130.
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