Online research in philosophy

One of the core debates concerning equity in the response to the threat of anthropogenic climate change is how the responsibility to reduce greenhouse gas emissions should be allocated, or, correspondingly, how the right to emit greenhouse gases should be allocated. Two alternative approaches that have been widely promoted are, first, to assign obligations to the industrialized countries on the basis of both their ability to pay (wealth) and their responsibility for the majority of prior emissions, or, second, to assign (...) emissions rights on a (possibly modified) equal per capita basis. Both these proposals ignore intra-national distributional equity. Instead, we develop a policy framework we call 'Greenhouse Development Rights' (GDRs) which allocates obligations to pay for climate policies (both mitigation and adaptation) on the basis of an individually quantified metric of capacity (ability to pay) and responsibility (prior emissions). Crucially, the GDRs framework looks at the distribution of income within countries and treats people of equal wealth similarly, whatever country they live in. Thus even poor countries have obligations proportional to the size and wealth of their middle and upper classes, defined relative to a 'development threshold'. While this method nominally identifies the 'right to development' as applying to people, not countries, as a proposal for a treaty among sovereign nations, there is no obvious way to give legal meaning to that right. In this paper, then, we raise some of the philosophical and political questions that arise in trying to quantify capacity and responsibility and to use the 'right to development' as a principle for allocating costs.*. (shrink)

The broad scope and coherence of Natural Beauty are among its major strengths. Moore's syncretic theory tries to integrate diverse and sometimes conflicting theoretical strands. Of special importance is his recognition that the natural world is a social institution embodying perceptions that are conditioned, experiences communicated through language, and social beliefs and conventions. These lead him to consider the natural world as actually artifactual, and he terms it the 'natureworld'. Among the consequences of this is the reciprocity of natural and (...) artistic beauty, one indication of the inclusiveness that runs through his theory. My central concern is whether Moore's syncretic theory can successfully combine disparate features of conflicting theories, such as cognitivism and non-cognitivism, and subjectivism and objectivism. Another concern is whether his syncretism can resolve problems such as the apparent inconsistencies raised by his discussion of framing. Here, alternatives that Moore had presumably settled reappear, as when objects, which had presumably been replaced by experiences, re-emerge in his discussion of framing. These comments identify such difficulties and ask whether the way out may be to reframe not natural beauty but the terms of the question. (shrink)

The theory presented in my book, Natural Beauty , is syncretic in that it denies the exclusivity of any one model of aesthetic appreciation of natural objects and instead insists: (1) that there is a tight, reciprocating connection between talents of perception that we develop in relation to arts and to natural objects; and (2) that the appreciation of natural beauty is intimately connected to the appreciation of other social values, including ethical values. In this paper, I respond to criticisms (...) of my syncretic approach—chiefly that it fails to reconcile objective and subjective elements in aesthetic judgment, that it fails to marshal its many modes of judgment into rational consistency, and that it fails to take proper stock of the role of scientific knowledge in these judgments—offered by Arnold Berleant, Stephanie Ross, and Glenn Parsons. (shrink)

Forests in Nepal are central in people's imaginations and daily lives and are a key means to social, political and economic power. This paper explores how an aesthetic appreciation of forests is tied in to other knowledges and experiences including the social-politics of resource use and management in the context of community forestry in Nepal. As such, more than one 'forest' inhabits the same spatial extent and these socially and politically framed views are central to aesthetic valuing of forests. The (...) paper thus argues for a 'thick' aesthetics that ties together an understanding of the forest as an ecologically and socially emergent entity with a variety of knowledges that inform aesthetic valuing to analyse how competing visions of what the forest ought to be materialise. (shrink)

In Natural Beauty , Ronald Moore presents a novel account of our aesthetic encounters with the natural world. In this essay, I consider the relation between Moore's 'syncretic aesthetic' and rival views of the aesthetics of nature, particularly the view sometimes called 'scientific cognitivism'. After discussing Moore's characterization of rival views in general, and scientific cognitivism in particular, I rehearse his reasons for rejecting the latter view. I critique these arguments, but also suggest that scientific cognitivism and the syncretic aesthetic (...) need not, after all, be viewed as incompatible notions. (shrink)

Ronald Moore's new book Natural Beauty: A Theory of Aesthetics Beyond the Arts seeks to offer up an account of beauty in nature rather than the beauty of nature. Moore claims his is a syncretic theory. That is, it combines the best parts of competing theories into a single comprehensive account of, in this case, our judgments of natural beauty. The syncretic impulse is a common one in philosophy. Seeing many theories, each with some strong points yet none successful overall, (...) a natural solution is to simply glom them all together. But does this work? Are we entitled to pick and choose in this manner, taking what we like but leaving behind the preconceptions to which each theory was moored? And is the resulting supertheory consistent and coherent? I will use Moore's book as a test case for some of these theoretical questions. I identify some 'syncretic sites' in Moore's theory to see whether his method passes muster. (shrink)

Michel Foucault's theories and their relevance to 'consumer culture' and environmental degradation are considered. Specifically, Foucault's theory of power/knowledge and biopower are considered in light of current consumption rates among global consumer cultures and their link to trends in global environmental degradation. Lastly, Foucault's theory of resistance is suggested as a mechanism for environmental sustainability.