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    Gerald Keaney (2011). A New Avant-Garde? Rethinking Marxism 23 (4):556-564.
    Many artists who identify as politically committed are suspicious of art due to the Situationist argument that revolutionary art is impossible. If right, the argument also rules out a future artistic avant-garde. I believe that, by concentrating on the truthtelling possibilities of art, we can meet the Situationist argument. To do so, it is necessary to change the relationship art has to everyday life. We can then speculate on the form of a future avant-garde.
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  2. Denis Mäder (2011). The Dialectic, History, and Progress: Marx's Critique of Pierre-Joseph Proudhon. Rethinking Marxism 23 (3):418-430.
    Marx’s polemic against Proudhon represents a crucial stage in the development of his dialectical method and his conception of history and progress. The critique of Proudhon demonstrates Marx’s hostility towards the very teleological account of social change of which he has himself been accused. In order to redress this imbalance, the break with Proudhon is presented here as a result of Marx’s rejection of the speculative Hegelian dialectic. This rejection is an exercise in self-criticism that is highly relevant to our (...)
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