Journal of Aesthetics and Art Criticism

Year:

Forthcoming articles
  1. John Zeimbekis, Digital Pictures, Sampling and Vagueness (The Ontology of Digital Pictures).
    Digital pictures can be type-identical in respect of colours, shapes and sizes (allographic), but they are not tokens of notational systems, because the types under which they are identical have vague limits and do not meet the requirements for notational characters. Digital display devices are designed to instantiate only limited ranges of objective properties (light intensities, sizes and shapes). Those ranges keep differences in objective magnitudes below sensory discrimination thresholds, and thus define objective conditions sufficient, but not necessary, for the (...)
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  2. John Zeimbekis, The Ontology of Digital Pictures.
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