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  1.  4
    Kelly Agra (2015). The World as "Is" and the World as "Ought". Philosophy in the Contemporary World 22 (2):68-79.
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  2.  3
    Robin Byerly (2015). Eudaemonia, Well-Beings and the Pursuit of Sustainability. Philosophy in the Contemporary World 22 (2):45-59.
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  3.  4
    Burcu Gurkan & Taine Duncan (2015). Doing Philosophy in the Contemporary World. Philosophy in the Contemporary World 22 (2):28-34.
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  4.  6
    Charles Harvey (2015). Sex Robots and Solipsism. Philosophy in the Contemporary World 22 (2):80-93.
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  5.  4
    Sergia Hay & Greg Hibbard (2015). Why Ignorance Fails to Excuse Climate Debt. Philosophy in the Contemporary World 22 (2):60-67.
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  6.  6
    Sanjay Lal (2015). On Widening The Moral Sphere. Philosophy in the Contemporary World 22 (2):1-11.
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  7.  2
    Christian Matlieis (2015). Hegel's Reproduction Issues. Philosophy in the Contemporary World 22 (2):12-27.
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  8.  2
    Landon W. Schurtz (2015). The Business of Complaining Ethically. Philosophy in the Contemporary World 22 (2):35-44.
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  9.  2
    Joan Woolfrey (2015). The Infectiousness of Hope. Philosophy in the Contemporary World 22 (2):94-103.
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  10.  8
    Travis T. Anderson (2015). Artistic Freedom in Kant and Hegel. Philosophy in the Contemporary World 22 (1):67-79.
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  11.  5
    Spencer Bradley (2015). The Face of Modern Art. Philosophy in the Contemporary World 22 (1):80-90.
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  12.  8
    Gregory L. Burgin (2015). Danto's Error. Philosophy in the Contemporary World 22 (1):37-49.
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  13.  4
    Joshua M. Hall (2015). Apposite Bodies. Philosophy in the Contemporary World 22 (1):19-36.
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  14.  4
    Joe Frank Jones Iii (2015). Being There. Philosophy in the Contemporary World 22 (1):4-18.
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  15.  8
    Raymond Kolcaba (2015). Editor's Introduction. Philosophy in the Contemporary World 22 (1):1-3.
  16.  5
    Raymond Kolcaba (2015). Finding Art in the World. Philosophy in the Contemporary World 22 (1):91-103.
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  17.  8
    Stephen Snyder (2015). Danto's Narrative Philosophy of History and the End of Art. Philosophy in the Contemporary World 22 (1):50-66.
    This paper investigates Danto’s claims that the narrative of art is over. In this state, which Danto sees as ideal, art is free from any master narrative, and its direction cannot be predicted. The claim that art ought to remain in its current state—pluralistic, free and with no further historical development—is problematic. Danto is correct that late 20th c. art could not be explained through a single narrative, and the myriad forms art takes demonstrate its pluralism. But Danto’s claim that (...)
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