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- Catharine Abell (2009). Canny Resemblance. Philosophical Review 118 (2).Depiction is the form of representation distinctive of figurative paintings, drawings, and photographs. Accounts of depiction attempt to specify the relation something must bear to an object in order to depict it. Resemblance accounts hold that the notion of resemblance is necessary to the specification of this relation. Several difficulties with such analyses have led many philosophers to reject the possibility of an adequate resemblance account of depiction. This essay outlines these difficulties and argues that current resemblance accounts succumb to them. It then develops an alternative resemblance account, drawing on Grice's account of nonnatural meaning and its role in determining sentence meaning to argue that something depicts an object if it bears intention-based resemblances to the object that jointly capture its overall appearance. In addition to solving the metaphysical problem of what it is for something to depict an object, this account also sheds significant light on the epistemological issue of how we are able to work out that something depicts an object. This essay argues that our ability to work out that something depicts an object results from both our more general ability to identify intentions from the products of communicative behavior and our knowledge of stylistic conventions. This account avoids the difficulties that face rival attempts to analyze depiction in terms of resemblance. It also clarifies and explains the features that distinguish depictive from nondepictive representation.In my reading list | Discuss this article | Edit | Categorize |My bibliography
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My aim is to show that the accounts of depiction offered by Christopher Peacocke and Robert Hopkins assume rather than explain one of the central features of depiction. This feature is pictorial realism. It is a constraint upon any adequate theory of depiction that it be able to explain pictorial realism; however, Peacocke and Hopkins seek to meet this constraint by employing the notion of resemblance. I raise three problems with Peacocke's account and point out an error in Hopkins's use (...)
There are two major theories of properties that employ resemblance classes to avoid commitment to universals.1 Object-resemblance nominalism ~ORN! faces the notorious companionship and imperfect community difficulties, though some costly remedies have been proposed. Trope-resemblance nominalism ~TRN!, in contrast, is commonly supposed to avoid these difficulties altogether. My contention is that both versions of resemblance nominalism are subject to companionship and imperfect community difficulties. If I am right, ~1! trope theory loses one of its primary selling points, and ~2! resemblance (...)
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| | Other links: blackwell-synergy.com | Scholar | More.. We show that a set of prima facie plausible assumptions on the relation of meaning resemblance – one of which is a compositionality postulate – is inconsistent. On this basis we argue that either there is no theoretically useful notion of semantic resemblance at all, or the traditional conception of the compositionality of meaning has to be adapted. In the former case, arguments put forward by Nelson Goodman and Paul Churchland in favor of the concept of meaning resemblance are defeated. (...)
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| | Other links: interscience.wiley.com | Scholar | More.. By defining both depictive and linguistic representation as kinds of symbol system, Nelson Goodman attempts to undermine the platitude that, whereas linguistic representation is mediated by convention, depiction is mediated by resemblance. I argue that Goodman is right to draw a strong analogy between the two kinds of representation, but wrong to draw the counterintuitive conclusion that depiction is not mediated by resemblance.
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| | Other links: interscience.wiley.com | Scholar | More.. This book presents an original theory of the nature of pictorial representation. The most influential recent theory of depiction, put forward by Nelson Goodman, holds that the relation between depictions and what they represent is entirely conventional. Flint Schier argues to the contrary that depiction involves resemblance to the things depicted, providing a sophisticated defence of our basic intuitions on the subject. Canvassing an attractive theory of 'generativity' rather than resemblance, Dr Schier provides a detailed account of depiction, showing how (...)
Resemblance Nominalism is the view that denies universals and tropes and claims that what makes F-things F is their resemblances. A famous argument against Resemblance Nominalism is Russell's regress of resemblances, according to which the resemblance nominalist falls into a vicious infinite regress. Aristocratic Resemblance Nominalism, as opposed to Egalitarian Resemblance Nominalism, is the version of Resemblance Nominalism that claims that what makes F-things F is that they resemble the F-paradigms. In this paper I attempt to show that a recently (...)
In his (2002) Gonzalo Rodriguez-Pereyra provides a powerful articulation of the claim that Resemblance Nominalism provides the best answer to the so-called Problem of Universals. Resemblance Nominalism has not been popular for some time, and one influential reason for this is the widespread belief that Resemblance Nominalism cannot dispense with all universals. The realist critics appeal to what is known as Russell’s Regress (cf. Russell 1997). If properties are to be explained in terms of one object’s resembling another, then this (...)
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| | Other links: blackwell-synergy.com analysis.oxfordjournals.org | Scholar | More.. Russell famously argued that Resemblance Nominalism leads to a vicious infinite regress in attempting to avoid admitting universals. Saying that a number of things are white only in that they resemble a particular white thing leaves a number of resemblances to that white thing, each of them constituting the holding of the same relation to the paradigm, qualifying that resemblance relation as a universal. Trying to dismiss that new universal by appeal to resemblances between those first resemblances only leads to (...)
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How do we account for resemblance between concrete particular objects? What is it about reality which makes a sentence such as the following true? (1) x and y are both spherical Realists about properties claim that, at a fundamental level, this sentence is true because x and y both exemplify the property of sphericity. Michael Loux favours this account of resemblance. Nevertheless, Loux concedes that austere nominalism, which I understand to be the view that nothing exists over and above particular (...)
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| | Other links: blackwell-synergy.com interscience.wiley.com | Scholar | More.. Recent discussions of the nature of representation in science have tended to import pre-established decompositions from analyses of representation in the arts, language, cognition and so forth. Which of these analyses one favours will depend on how one conceives of theories in the first place. If one thinks of them in terms of an axiomatised set of logico-linguistic statements, then one might be naturally drawn to accounts of linguistic representation in which notions of denotation, for example, feature prominently. If, on (...)
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