The Epistemic Value of Photographs
In Catharine Abell & Katerina Bantinaki (eds.), Philosophical Perspectives on Depiction. Oxford University Press (2010)
| Abstract | There is a variety of epistemic roles to which photographs are better suited than non-photographic pictures. Photographs provide more compelling evidence of the existence of the scenes they depict than non-photographic pictures. They are also better sources of information about features of those scenes that are easily overlooked. This chapter examines several different attempts to explain the distinctive epistemic value of photographs, and argues that none is adequate. It then proposes an alternative explanation of their epistemic value. The chapter argues that photographs play the epistemic roles they do because they are typically rich sources of depictively encoded information about the scenes they depict, and reliable depictive representations of those scenes. It then explains why photographs differ from non-photographic pictures in both respects. | |||||||||
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Jiri Benovsky (2011). Three Kinds of Realism About Photographs. Journal of Speculative Philosophy.
Aaron Meskin (2004). On the Epistemic Value of Photographs. Journal of Aesthetics and Art Criticism 62 (2):197 - 210.
Jonathan Cohen & Aaron Meskin (2004). On the Epistemic Value of Photographs. Journal of Aesthetics and Art Criticism 62 (2):197–210.
Dominic McIver Lopes (2003). The Aesthetics of Photographic Transparency. Mind 112 (447):434--48.
Robert Hopkins (2012). Factive Pictorial Experience: What's Special About Photographs? Noûs 46 (4):709-731.
Joel Snyder (1983). Photography and Ontology. Grazer Philosophische Studien 19:21-34.
Aaron Smuts (2010). 'Pickman's Model': Horror and the Objective Purport of Photographs. Revue Internationale de Philosophie 4:487-509.
Christopher Williams (1999). Pictures, Photographs, and Causes. Journal of Philosophical Research 24:127-147.
Aaron Meskin & Jonathan Cohen (2008). Photographs as Evidence. In Scott Walden (ed.), Photography and Philosophy: Essays on the Pencil of Nature. Blackwell.
Dawn M. Phillips (2009). Fixing the Image: Re-Thinking the 'Mind-Independence' of Photographs. Postgraduate Journal of Aesthetics 6 (2):1-22.
Jiri Benovsky (2012). Photographic Representation and Depiction of Temporal Extension. Inquiry 55 (2):194-213.
Mikael Pettersson (2011). Depictive Traces: On the Phenomenology of Photography. Journal of Aesthetics and Art Criticism 69 (2):185-196.
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