Online research in philosophy

The project of renewing childhood by transforming one's life -- Critical theory -- Reason's self-criticism -- Defined negation -- The two faces of enlightenment -- Rescuing what is beyond hope -- Philosophy from the perspective of redemption -- Primacy of the object -- The totally socialized society -- The concept of society -- Liquidation of the individual -- Critical theory on morality -- The goal of the emancipated society -- The powerless utopia of beauty -- The destruction and salvation of art -- The silence of music -- The transition from art to knowledge -- Theorizing art and culture in the institute for social research -- Benjamin and kracauer: theorizing mass art -- Anarchistic and bourgeois romanticism: Adorno's critique of Benjamin -- The work of art and the concept of truth -- The failure of culture -- The radically pathetic and guilty culture -- Enlightenment as mass deception.

At the Intersection of High and Mass Culture analyses the contradictions and interaction between high and low art, with particular reference to Hollywood and European cinema. Written in the essayist, speculative tradition of Walter Benjamin and Theodore Adorno, this study also includes analyses of several key films of the 1980s. Tracing the boundaries of such genres as film noir, science fiction and melodrama, it demonstrates how these genres were radically expanded by such filmmakers as Neil Jordan, Chris Merker and Georges Franju. This work also reflects on kitsch, the star system, racial and gender stereotypes, and the nature of audience participation. While defining the conditions under which the symbiotic relationship between high and mass culture can be cross-fertilising, this study stresses their inevitably contradictory characteristics.

Adorno, Culture and Feminism brings Adorno's work and feminism together, and explores how feminism can both harness and develop Adorno's ideas. The picture that emerges displays how gendered relations and cultural practices and texts operate today, and the relevance of critical theory for contemporary feminisms. Adorno's work on the scale of inequality and repression in the administered society is presented as matching the feminist understanding of the unequal balance of power between the sexes. This volume shows how Adorno's central concepts - commodification, authenticity, the culture industry, Kulturkritik, negative dialectics, non-identity thinking and authoritarian personality - can be used productively and purposefully in feminist thinking. Adorno, Culture and Feminism shows how a dialogue between feminism, Adorno and other members of the Frankfurt School enhances our understanding of culture and society. It will be essential reading for anyone interested in sociology, feminism and cultural studies.

In the decades since his death, Adorno's thinking has lost none of its capacity to unsettle the settled, and has proved hugely influential in social and cultural thought. To most people, the entertainment provided by television, radio, film, newspapers, astrology charts and CD players seem harmless enough. For Adorno, however, the culture industry that produces them is ultimately toxic in its effect on the social process. Here, Robert Witkin unpacks Adorno's notoriously difficult critique of popular culture in an engaging and accessible style, looking first at the development of the overarching theories of authority, commodification and negative dialectics within which Adorno's work needs to be seen. This book is an essential guide for understanding one of the key thinkers of our time.

Culture and Psyche is a collection of Sudhir Kakar's essays on cultural psychology, which analyses various facets of Indian identity and sexuality through sources as diverse as case studies, Indian myths and legends, and popular cinema. The second edition of this classic includes a new introduction and three additional essays which explore issues like riots, the psychology of Islamist terrorism, among others.

Apparitions takes a new look at the critical legacy of one of the 20th century's most important and influential thinkers about music, Theodor W. Adorno. Bringing together an international group of scholars, the book offers new historical and critical insights into Adorno's theories of music and how these theories, in turn, have affected the study of contemporary art music, popular music, and jazz. The essays review the impact of Philosophy of New Music a fter World War II, examine Adorno's struggle to adapt his aging philosophy to the new music of the 1950s and 1960s, and trace his influence on recent composers. Several essays in this volume also re-evaluate Adorno's controversial contribution to the study of popular music and jazz, as well as his theories of mass media and mass culture in the context of an increasing consolidation of corporate and political power in the entertainment industry. This volume will be indispensable for both scholars and students of Adorno, who seek a historical context and a critical assessment of some of his most influential as well as most contested writings on music.

This volume presents four of his key writings on the irrational in mass culture : From Astrology to Fascism ; from anti-Semitism to to the Occult.

This book is an unrivalled indictment of the banality of mass culture - Adorno's finest essays are collected here, offering the reader unparalleled insights ...