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- Theodor W. Adorno (1974/2005). Minima Moralia: Reflections on a Damaged Life. Verso.
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This is a comprehensive collection of readings from the work of Theodor Adorno, one of the most influential German thinkers of the twentieth century. What took place in Auschwitz revokes what Adorno termed the “Western legacy of positivity,” the innermost substance of traditional philosophy. The prime task of philosophy then remains to reflect on its own failure, its own complicity in such events. Yet in linking the question of philosophy to historical occurrence, Adorno seems not to have abandoned his paradoxical, life-long hope that philosophy might not be entirely closed to the idea of redemption. He prepares for an altogether different praxis, one no longer conceived in traditionally Marxist terms but rather to be gleaned from “metaphysical experience.” In this collection, Adorno's literary executor has assembled the definitive introduction to his thinking. Its five sections anatomize the range of Adorno's concerns: “Toward a New Categorical Imperative,” “Damaged Life,” “Administered World, Reified Thought,” “Art, Memory of Suffering,” and “A Philosophy That Keeps Itself Alive.” A substantial number of Adorno’s writings included appear here in English for the first time. This collection comes with an eloquent introduction from Rolf Tiedemann, the literary executor of Adorno’s work.
Through a close reading of Theodor Adorno’s Negative Dialectics, in relation to Minima Moralia and to Dialectic of Enlightenment, this paper aims to interpret the tension between, on the one hand, Adorno’s scathing critique of occultism, and on the other, his subtle and elusive suggestions that authentic thoughthas certain elective affinities with modes of mind, such as are traditionally found in magical theory and practice. This surprising affinity has implications not only for how to read Adorno’s critical project, but also for how to assess the relevance of spirituality for revolutionary and emancipatory politics. If immanent critiquelabors for a re-enchanted world, it may yet be linked to a genuinely spiritual vision of reality.
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Theodor W. Adorno is best known for his contributions to aesthetics and social theory. Critics have always complained about the lack of a practical, political or ethical dimension to Adorno's philosophy. In this highly original contribution to the literature on Adorno, J. M. Bernstein offers the first attempt in any language to provide an account of the ethical theory latent in Adorno's writings. Bernstein relates Adorno's ethics to major trends in contemporary moral philosophy. He analyses the full range of Adorno's major works, with a special focus on Dialectic of Enlightenment, Minima Moralia and Negative Dialectics. In developing his account Bernstein lays particular stress on Adorno's contention that the event of Auschwitz demands a new categorical imperative. This book will be widely acknowledged as the standard work on Adorno's ethics and as such will interest professionals and students of philosophy, political theory, sociology, history of ideas, art history and music.
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Against authenticity -- Weimar Years -- In America -- Adorno's cultural criticism -- Return -- Aftermath -- Art and culture -- Adorno and popular music -- The aesthetics of music -- Modernism or avant-garde? -- History and truth-content -- The culture industry -- Aesthetic theory and ideology-critique -- Freedom and society -- Wrong life : Adorno's minima moralia -- Adorno and Kant -- Freedom and society -- Dialectic of enlightenment -- The morality of thinking -- Living with guilt -- Philosophy and history -- Writing the disaster -- Crisis of reason -- Against historicism -- The task of philosophy -- Adorno and Marxism.
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