Online research in philosophy

This is a book about the philosophy of Henri Bergson (1859-1941) which shows how relevant Bergson is to much contemporary philosophy. The book takes as its point of departure Bergson's insistence on precision in philosophy. It then discusses a variety of topics including laughter, the nature of time as experienced, how intelligence and language should be construed as a pragmatic product of evolution, and the antinomies of reason represented by magic and religion. This is not just another exposition of Bergson's work. It offers an account of why Bergson commanded such a massive reading public in his own day and why he deserves to be read now. Written in a terse and clear style, this book will prove appealing to teachers and students of philosophy, cognitive science, psychology, religious studies and literature.

Henri Bergson's philosophy presents the relationship between life and matter in both dualistic and monistic terms. Life is duration, a rhythm of incalculable novelty that approaches pure creative activity. In stark contrast, matter is identified with the determinism of homogeneous space. After Time and Free Will, Bergson concedes some share of duration to matter. In this context, his dualism can be understood as a methodological step towards the articulation of a monistic metaphysics of duration. This article suggests that the distinction between life and matter is also motivated by an unconscious imperative to establish a sexed hierarchy. Bergson repeatedly presents life as seminal, while matter is figured in terms of passivity.

Henri Bergson (1859-1941) is one of the truly great philosophers of the modernist period, and there is currently a major renaissance of interest in his unduly neglected texts and ideas amongst philosophers, literary theorists, and social theorists. Creative Evolution (1907) is the text that made Bergson world-famous in his own lifetime; in it Bergson responds to the challenge presented to our habits of thought by modern evolutionary theory, and attempts to show that the theory of knowledge must have its basis in a theory of life.

Henri Bergson (1859-1941) is one of the truly great philosophers of the modernist period, and there is currently a major renaissance of interest in his unduly neglected texts and ideas amongst philosophers, literary theorists, and social theorists. Creative Evolution (1907) is the text that made Bergson world-famous in his own lifetime; in it Bergson responds to the challenge presented to our habits of thought by modern evolutionary theory, and attempts to show that the theory of knowledge must have its basis in a theory of life.

Heidegger claims in Being and Time that Bergson fails to overcome traditional ontology because his concept of time is fundamentally Aristotelian. On the basis of this hasty dismissal, it is tempting to conclude that Heidegger was not terribly interested in Bergson or that he only wanted to prevent readers from confusing his view of time with Bergson’s. To the contrary, a survey of Heidegger’s early lectures and writings on the issue of time reveals a strong interest in Bergson and an acknowledgement of his importance as a pivotal thinker concerning time. In fact, Heidegger appropriates key aspects of Bergsonism, such as Bergson’s way of contrasting the measurement of time and its experiential origins, revealing that his ambivalence toward Bergson initially arises from concerns about his method and his concept of life rather than his understanding of time.

How should we appraise Bergson’s relation to phenomenology? There are different ways to tackle this question. In the following my focus will be quite narrow. I will restrict myself to a close reading of Bergson’s doctoral dissertation Essai sur les données immédiates de la conscience. The question I wish to ask is basically whether the analysis of consciousness that Bergson provides in the second chapter of the dissertation is phenomenologically convincing.

Henri Bergson was born the year that Darwin published On the Origin of Species. The significance of this and other works on the theory of evolution in the development of Bergson's philosophy became clear when he published Creative Evolution and established himself as one of Europe's most influential thinkers. Kolakowski shows how Bergson sought to reconcile Darwinian theory with the view that all matter is propelled by an internal life-drive.