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- Lois Peters Agnew (2008). Outward, Visible Propriety: Stoic Philosophy and Eighteenth-Century British Rhetorics. University of South Carolina Press.
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In his A Treatise of Freewill, Ralph Cudworth argues against Stoic determinism by drawing on what he takes to be other concepts found in Stoicism, notably the claim that some things are ‘up to us’ (ἐφ᾽ ἡμῖν) and that these things are the product of our choice (προαίρεσις). These concepts are central to the late Stoic Epictetus and it appears at first glance as if Cudworth is opposing late Stoic voluntarism against early Stoic determinism. This paper argues that in fact, despite his claim to be drawing on Stoic doctrine, Cudworth uses these terms with a meaning first articulated only later, by the Peripatetic commentator Alexander of Aphrodisias.
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Adding to A.O. Aldridge’s 1951 list, this list of British eighteenth-century references to Shaftesbury provides further evidence that the philosophy of Shaftesbury and Hutcheson is an important rival to Lockean empiricism during the early and middle decades of the century. The peak of Shaftesbury’s influence occurs during the 1740’s and 1750’s when the deist controversy was at its height. A more conservative political and religious climate of opinion after 1759 is one reason for the decline of Shaftesbury’s reputation as a philosopher. Another is Shaftesbury’s displacement by Hume as an important enemy of orthodox Christianity. During the 1760’s and later, Hume is attacked by the Scottish “common sense” philosophers, who find anticipations of Humean scepticism in Locke and Berkeley (but not in Shaftesbury), thereby unwittingly helping to provide the foundation for the eventual establishment of Locke, Berkeley, and Hume as the “big three” of eighteenth-century philosophy.
Now reissued with substantial new material, The Seventh Sense is the definitive study of the aesthetic theory of the great eighteenth-century philosopher Frances Hutcheson, and its huge influence on British aesthetics. Peter Kivy's book is a seminal work on early modern aesthetics, and has been much in demand since going out of print some years ago; this new edition brings the book up to date with the addition of eight essays that Kivy has written on the subject since 1976.
Although some philosophers accept an atomistic view of sense impressions, most acknowledge that we are aware not merely of isolated disparate sense data, but of concrete sensible wholes. One of many philosophical problems faced by these philosophers, however, is to explain how these distinct simultaneously presented sensible aspects are subjectively and objectively cognized as belonging to the same particular object. The traditional Thomistic solution is the sensus communis. Recently, however, the validity of that response has been called into question. As a result, the purpose of this paper is to sketch the positions involved in the debate, present St. Thomas’s account of the sensus communis, and argue that both the commentary tradition and a recent critic have overlooked an important aspect of that account.
In the sixteenth century the Stoics were deemed friends of humanist Christians, but by the eighteenth century they were attacked as atheists. What happened in the intervening period? In the middle of this period falls Ralph Cudworth’s True Intellectual System of the Universe (1678), which contains a sustained analysis of Stoic theology. In Cudworth’s complex taxonomy Stoicism appears twice, both as a form of atheism and an example of imperfect theism. Whether the Stoics are theists or atheists hinges on whether their God is conscious and intelligent, or alive but unconscious like a plant or vegetable. Is God sentient or is he a mindless vegetable?
John D. Schaeffer shows how the seventeenth-century Italian philosopher Giambattista Vico synthesized Greek and Roman ideas of what "sensus communis" and what ...
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