Review: The Improvisation of Musical Dialogue: A Phenomenology of Music
British Journal of Aesthetics 45 (2):197-199 (2005)
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Bruce Ellis Benson (2003). The Improvisation of Musical Dialogue: A Phenomenology of Music. Cambridge University Press.
Cynthia R. Nielsen (2009). “What Has Coltrane to Do With Mozart: The Dynamism and Built-in Flexibility of Music”. Expositions 3:57-71.
Witold Wachowski (2012). “Immunology of Music”? A Short Introduction to Cognitive Science of Musical Improvisation. Avant 3 (1).
Bertinetto Alessandro (2012). Paganini Does Not Repeat. Musical Improvisation and the Type/Token Ontology. Teorema (3):105-126.
Gary Peters (2009). The Philosophy of Improvisation. University of Chicago Press.
Ruth Herbert (2011). Everyday Music Listening: Absorption, Dissociation and Trancing. Ashgate Pub. Co..
Panagiotis A. Kanellopoulos (2011). Freedom and Responsibility: The Aesthetics of Free Musical Improvisation and Its Educational Implications—A View From Bakhtin. Philosophy of Music Education Review 19 (2):113-135.
Panagiotis A. Kanellopoulos (2012). Envisioning Autonomy Through Improvising and Composing: Castoriadis Visiting Creative Music Education Practice. Educational Philosophy and Theory 44 (2):151-182.
Kathleen Marie Higgins (2012). The Music Between Us: Is Music a Universal Language? The University of Chicago Press.
Lydia Goehr (1998/2002). The Quest for Voice: On Music, Politics, and the Limits of Philosophy: The 1997 Ernest Bloch Lectures. Oxford University Press.
David Sudnow (1978). Ways of the Hand: The Organization of Improvised Conduct. Harvard University Press.
Joseph Nathan Straus (2011). Extraordinary Measures: Disability in Music. Oxford University Press.
Jerrold Levinson (1997). Music in the Moment. Cornell University Press.
Erich Sorantin (1932). The Problem of Musical Expression. Nashville, Tenn.,Marshall & Bruce Co..
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