Art and the Human Adventure: André Malraux's Theory of Art
Rodopi (2009)
| Abstract | " Suitable for both newcomers to Malraux and more advanced students, the study also examines critical responses to these works by figures such as Maurice ... | |||||||||
| Keywords | art malraux human adventure time creation history transcendence | |||||||||
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| Buy the book | $91.70 used (13% off) $99.86 new (6% off) $100.67 direct from Amazon (5% off) Amazon page | |||||||||
| ISBN(s) | 9042027495 9789042027497 | |||||||||
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Derek Allan (2012). 'Les Liaisons Dangereuses' Through the Eyes of André Malraux. Journal of European Studies 42 (2):123-139.
André Malraux (1960). The Metamorphosis of the Gods. Garden City, N.Y.,Doubleday.
André Malraux (1967). Museum Without Walls. London, Secker & Warburg.
Derek Allan (2003). André Malraux and the Challenge to Aesthetics. Journal of European Studies 33 (128): 23-40.
André Malraux (1978). The Voices of Silence. Princeton University Press.
André Malraux (1949). The Psychology of Art. London, A. Zwemmer.
Derek Allan (2009). An Intellectual Revolution: André Malraux and the Temporal Nature of Art. Journal of European Studies 39 (2):198-224.
Derek Allan (2003). Art as Anti-Destiny: Foundations of André Malraux’s Theory of Art. Literature and Aesthetics 13 (2):7-16.
Derek Allan (2009). 'Reckless Inaccuracies Abounding': André Malraux and the Birth of a Myth. Journal of Aesthetics and Art Criticism 67 (2):147-158..
Derek Allan (2010). Art: A Rival World - An Aspect of André Malraux's Theory of Art. In Jan Lloyd Jones & Julian Lamb (eds.), Art and Authenticity. Australian Scholarly Publishing.
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