André Malraux

In Michael Kelly (ed.), Encyclopedia of Aesthetics. 2nd edition (Oxford University Press). pp. 239-243 (Vol 4) (2014)
  Copy   BIBTEX

Abstract

An overview of Malraux's theory of art, with sub-headings: "Basic Principles","The Creative Process","The Emergence of 'Art'","Art and Time", "The Modern Universal World of Art", and "Critical Responses". Includes a brief discussion of the musée imaginaire.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,219

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Art: A Rival World - An Aspect of André Malraux's Theory of Art.Derek Allan - 2010 - In Jan Lloyd Jones & Julian Lamb (eds.), Art and Authenticity. Australian Scholarly Publishing.
“Reckless Inaccuracies Abounding”: André Malraux and the Birth of a Myth.Derek Allan - 2009 - Journal of Aesthetics and Art Criticism 67 (2):147-158..
André Malraux and the Challenge to Aesthetics.Derek Allan - 2003 - Journal of European Studies 33 (128): 23-40.
'Les Liaisons Dangereuses' through the eyes of André Malraux.Derek Allan - 2012 - Journal of European Studies 42 (2):123-139.
The Future of the Novel [1957].René Girard & Robert Doran - 2012 - Contagion: Journal of Violence, Mimesis, and Culture 19:1-8.
The psychology of art.André Malraux - 1949 - London,: A. Zwemmer.
André Malraux's Man's Fate.Harold Bloom (ed.) - 1988 - Chelsea House.

Analytics

Added to PP
2014-08-09

Downloads
33 (#459,370)

6 months
1 (#1,459,555)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references