Film Theory and Philosophy
Richard Allen & Murray Smith (eds.)
Oxford University Press (1997)
| Abstract | This volume of new essays energizes a growing movement in film theory which questions and seeks to overturn many of the assumptions that have governed film theory for the last twenty years. The book brings together film scholars and philosophers in a united commitment to the standards of argumentation that characterize analytic philosophy rather than a single doctrinal approach. The essays address such topics as authorship, emotion, ideology, representation, and expression in film. | |||||||||
| Keywords | Motion pictures Philosophy | |||||||||
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| Buy the book | $67.44 direct from Amazon (11% off) Amazon page | |||||||||
| Call number | PN1995.F4673 1997 | |||||||||
| ISBN(s) | 0198159889 | |||||||||
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| Through your library | Configure |
Noël Carroll (1996). Theorizing the Moving Image. Cambridge University Press.
Paul Willemen (1994). Looks and Frictions: Essays in Cultural Studies and Film Theory. British Film Institute.
Veijo Hietala (1990). Situating the Subject in Film Theory: Meaning and Spectatorship in Cinema. Distributor, Akateeminen Kirjakauppa.
I. C. Jarvie (1987). Philosophy of the Film: Epistemology, Ontology, Aesthetics. Routledge & Kegan Paul.
Gaston Roberge (1992). The Ways of Film Studies: Film Theory & the Interpretation of Films. Ajanta Publications.
Gregory Currie (1995). Image and Mind: Film, Philosophy and Cognitive Science. Cambridge University Press.
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