Off-campus access
Using PhilPapers from home?
Click here to configure this browser for off-campus access.
- Amy Allen (2000). The Anti-Subjective Hypothesis: Michel Foucault and the Death of the Subject. Philosophical Forum 31 (2):113–130.The centerpiece of the first volume of Michel Foucault’s History of Sexuality is the analysis of what Foucault terms the “repressive hypothesis,” the nearly universal assumption on the part of twentieth-century Westerners that we are the heirs to a Victorian legacy of sexual repression. The supreme irony of this belief, according to Foucault, is that the whole time that we have been announcing and denouncing our repressed, Victorian sexuality, discourses about sexuality have actually proliferated. Paradoxically, as Victorian as we allegedly are, we cannot stop talking about sex. Much of the analysis of the first volume of the History of Sexuality consists in an unmasking and debunking of the repressive hypothesis. This unmasking does not take the simple form of a counter-claim that we are not, in fact, repressed; rather, Foucault contends that understanding sexuality solely or even primarily in terms of repression is inaccurate and misleading. As he said in an interview published in 1983, “it is not a question of denying the existence of repression. It’s one of showing that repression is always a part of a much more complex political strategy regarding sexuality. Things are not merely repressed.”1 Foucault makes this extremely clear in the introduction to the History of Sexuality, Volume 1, when he writes.
Similar books and articles
Without doubt Michel Foucault was one of the 20th century's towering intellectuals. His work on organization of knowledge, sexuality, power, discipline, medicine, madness, identity, and politics has left an idelible mark on contemporary thinking in these fields. Edited by one of the world's most distinguished Foucault scholars, Barry Smart, this collection sets Foucault's work in the the appropriate historical and intellectual context by orgaizing the material thematically with introductions that quide the reader through the complexities of the essays. These volumes will be essential reading wherever the work of Foucault is debated and applied.
Michel Foucault’s 1976 Collège de France course provides a window on the shift into the work of his final years. Presented between the publication of Discipline and Punish (1975) and the first volume of The History of Sexuality (1976), the lectures presented a political history of power that foregrounded the function of war. This article suggests that elements of the lectures could already be found in Discipline and Punish and that they introduced categories, such as bio-power, that became increasingly important to Foucault in the late 1970s and early 1980s. Furthermore, I illustrate the historical context for Foucault’s lectures: the fading possibilities of 1968 and contemporaneous anti-totalitarian political debate.
Foucault’s ars erotica, one of the most enigmatic concepts in history-of-sexuality studies, has been largely overshadowed by the examination of scientia sexualis and its creation: sexuality constructed as a natural, inborn and permanent function of the body subject to acquired or congenital pathologies. With sexuality, a truth to be discovered and analysed, sexual acts and desires became involuntary manifestations of a fixed biological cause. Foucault argues that only scientia sexualis has operated in modern Western culture whilst ars erotica belongs to Eastern and ancient societies, although in his late essays he suggests that invoking ‘sex as aesthetics’ may be a useful political strategy for marginalised sexualities. Ars erotica, then, is framed as preceding sexuality and as a possible replacement for it. In this thesis, I suggest that modern Western culture has indeed witnessed a form of ars erotica, encompassed in what I term ‘aesthetic sexuality’, which I argue has existed since the eighteenth century.
No categories
"There are many new secondary sources [on Foucault]. None surpass the book by Hubert Dreyfus and Paul Rabinow. . . . The American paperback edition contains Foucault's 'On the Genealogy of Ethics,' a lucid interview that is now our best source for seeing how he construed the whole project of the history of sexuality."--David Hoy, London Review of Books.
"A consistently clear, comprehensive and accessible introduction which carefully sifts Foucault's work for both its strengths and weaknesses. McHoul and Grace show an intimate familiarity with Foucault's writings and a lively, but critical engagement with the relevance of his work. A model primer." -Tony Bennett, author of Outside Literature In such seminal works as Madness and Civilization, Discipline and Punish , and The History of Sexuality , the late philosopher Michel Foucault explored what our politics, our sexuality, our societal conventions, and our changing notions of truth told us about ourselves. In the process, Foucault garnered a reputation as one of the pre-eminent philosophers of the latter half of the twentieth century and has served as a primary influence on successive generations of philosophers and cultural critics. With A Foucault Primer , Alec McHoul and Wendy Grace bring Foucault's work into focus for the uninitiated. Written in crisp and concise prose, A Foucault Primer explicates three central concepts of Foucauldian theory-discourse, power, and the subject-and suggests that Foucault's work has much yet to contribute to contemporary debate.
Derided and disregarded by many of his contemporaries, Michel Foucault is now regarded as probably the most influential thinker of the twentieth century, his work is studied across the humanities and social sciences. Reading Foucault, however, can be a challenge, as can writing about him, but in Understanding Foucault, the authors offer an entertaining and informative introduction to his thinking. They cover all the issues Foucault dealt with, including power, knowledge, subjectivity and sexuality and discuss the development of his analysis throughout his work.
The Hermeneutics of the Subject is the third volume in the collection of Michel Foucault's lectures at the College de France, one of the world's most prestigious institutions. Faculty at the college give public lectures, in which they can present works-in-progress on any subject of their choosing. Foucault's were more speculative and free-ranging than the arguments of such groundbreaking works as The History of Sexuality or Madness and Civilization . In the lectures comprising this volume, Foucault focuses upon the ways the "self" and consequently "self-study" have been conceived since the days of antiquity, starting with Socrates. Definitions and conceptions of "self-study" in Greek and Roman literature, Foucault argues, remain in force today, and underlie modern interpretations of the self. Engaging, engrossing, and provocative, The Hermeneutics of the Subject reveals Foucault at the height of his powers.
One of the main influences on Judith Butler‘s thinking has been the work of Michel Foucault. Although this relationship is often commented on, it is rarely discussed in any detail. My thesis makes a contribution in this area. It presents an analysis of Foucault‘s work with the aim of countering Butler‘s representation of his thinking. In the first part of the thesis, I show how Butler initially interprets Foucault‘s project through Nietzschean genealogy, psychoanalysis and Derridean discourse, and how she later develops this interpretation in line with the progress of her own project. In the main part of the thesis, I present an analysis of Foucault‘s thinking in the period from The Archaeology of Knowledge (1969) to The History of Sexuality volume 1 (1976). This analysis focuses on the aspect of his work which has most influenced Butler‘s thinking: namely the notion of a relationship between knowledge, discourse and power. The other issues in his work which Butler addresses—genealogy, the subject, the body, abnormality, and sexuality—are discussed within this framework. I show how, in the early 1970s, Foucault develops the notion of power-knowledge, and sets out a relationship between power-knowledge and discourse which is overlooked by Butler. I argue that Butler interprets Foucaultian power through the notions of repression and social norms, and ignores the concepts of technology and strategy which form a key part of Foucault‘s thinking. I show how, from The Archaeology of Knowledge on, Foucault develops a socio-historical ontology and a genealogy of the subject, both of which are at variance with Butler‘s interpretation of his thinking.
No categories
In this concise, witty critical study, Merquior examines Foucault's work on madness, sexuality, and power and offers a provocative assessment of Foucault as a "neo-anarchist." Merquior brings an astonishing breadth of scholarship to bear on his subject as he explores Foucault using insights from a range of fields including philosophy, sociology, and history.
Given his heralding of the "death of Man" or the "death of the subject", Michel Foucault's work is thought by many to be too fragmentary and anti-foundationalist to be much use for building any sort of ethical or political theory. Chris Falzon challenges this position, arguing that the proper alternative to foundationalism is not fragmentation but dialogue and that concept can be found in Foucault's work. Such a reading of Foucault allows us to see the ethical and political position implicit his work, and how his work contributes to the larger debate concerning the death of Man. This book also presents a rethinking of the debates between Habermas and Foucault and shows how Foucault's work can be used to effectively challenge Habermas' position. Foucault and Social Dialogue provides a compelling reinterpretation of Foucault's legacy.
Discussion of Amy Allen, The anti-subjective hypothesis: Michel Foucault and the death of the subject
|
|
There are no threads in this forum |
Nothing in this forum yet.

