Abstract

In the French unclassifiable genre, Brun explores biological evolution, poetry, philosophy, mythology, dance movements and palm-reading to unearth the significance and function of the human hand. Man does not have a hand; part of his being is being-a-hand. He is differentiated from animals not only because he is a tool-user, but because he can make tools to make other tools. Brun shows that the sense of touch overcomes the separation between man and the world in a second section dealing with the erotic, cognitive and existential meanings of le toucher. A difficult, sometimes insightful study but mainly overstated.—A. B. D.