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- Peter Alward, Speech Acts and Fictionality.A common approach to drawing boundary between fiction and non-fiction is by appeal to the kinds of speech acts performed by authors of works of the respective categories. Searle, for example, takes fiction to be the product of illocutionary pretense of various kinds on the part of authors and non-fiction to be the product of genuine illocutionary action.1 Currie, in contrast, takes fiction to be the product of sui generis fictional illocutionary action on the part of authors and non-fiction to be the product of assertion and other familiar kinds of illocutionary action.2 The central thesis of this paper is that the speech act approach to fictionality is simply a non-starter. Now it is, of course, commonplace to note that approaches of this kind run into difficulty accommodating nonliterary fictions3 and uncomposed or authorless fictions. What will be argued here, however, is that speech acts analyses are inadequate even understood narrowly as accounts of composed literary fiction. And the reason is that they fail to adequately attend to the distinction between composition and storytelling.
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Habermas claims that the concept of ?communicative action? can be explained by illocutionary acts alone. It appears tó me that his explanation collapses into a sort of intentional theory (2[i]). Habermas maintains further that a speech act consists of three components which are ?correlated? to three worlds and to three validity claims. However, he also seems to mean that all worlds and validity claims are correlated to just one; the so?called propositional component. One consequence is that the propositional content, not the illocutionary act, determines the main mode of at least some speech acts. Another is that the T as used in an expressive speech act will occur in the propositional part of the act and not, as claimed by Habermas, in the performative sentence (2[iii]). In 2(ii) two other problems concerning Habermas's view on the concept of ?I? ('the subject') are discussed.
Katz offers such a grammatical account, in which makes it possible for the first time to explain the illocutionary potential of sentences within grammar.
In this paper I want to examine the concept of 'conditions of fulfilment' or 'compliance' or 'satisfaction' which have been introduced by some authors in order to provide analyses of meaning which are just as adequate to directive speech acts as truth-conditional semantics are (claimed to be) adequate to assertive speech acts. It will be argued that this aim is missed. Most analyses (except those of some primitive cases) will remain throughout imcomplete as long as they are not supplemented by a specification of conditions of normative validity. In the case of several illocutionary verbs they can be substituted by conditions under which the speaker could make use of sanctions against the hearer.
Jennifer Saul has argued that the speech acts approach to pornography, where pornography has the illocutionary force of subordinating women, is undermined by that very approach: if pornographic works are speech acts, they must be utterances in contexts; and if we take contexts seriously, it follows that only some pornographic viewings subordinate women. In an effort to defend the speech acts approach, Claudia Bianchi argues that Saul focuses on the wrong context to fix pornography’s illocutionary force. In response, I defend Saul arguing that Bianchi doesn’t show Saul has focused on the wrong context.
It is often assumed that Paul Grice, in one way or another, has made an important contribution to the theory of speech acts} Grice, as far as I can see, never expressly addresses Austin’s theory in his published work. He hardly ever uses the speech act terminology of "illocution", "perlocution", etc.2 So what does the more or less implicit Gricean contribution to the theory of speech acts consist in'? There is more than one good answer to this question. I shall concentrate on a particularly influential one, which goes back to Strawson (1964). It says that Austin, in his account of the nature of illocutionary acts, over-emphasized the role of conventions; that Austin went wrong in characterizing illocutionary acts as acts which are essentially conventional. The Gricean contribution to speech act theory, according to the envisaged answer, is twofold, both diagnostic and therapeutic. First, it helps us see where and why Austin went wrong in taking illocutionary acts to be essentially conventional. Second, it suggests an essentially intentional — instead of an essentially conventional- element in illocutionary acts. In his 1964 paper Strawson tried to bring out, as regards the interplay of convention and intention in illocutionary acts, both what can be conceded to Austin and what must be learnt from Grice. Austin (1962: 115) had said that "the performance of an illocutionaiy act involves the securing of uptake". Strawson (1964: 158 ff) interprets Austin as meani_ng to say that the performance of an illocutionary act involves understanding of illocutionary force. Understanding of illocutionary force involves, according to Strawson, grasping a "compleX [speaker’s] intention" (ib.: 160), and it is here, of course, where he brings Gricean ideas into _Austin’s scheme of what the essence of illocution is. He says.
Speech acts have sometimes been considered as unembeddable, for principled reasons. In this paper, I argue that speech acts can be embedded under certain circumstances. In particular, I consider denegation and conjunction of speech acts, quantification into speech acts, conditionalization of speech acts, the embedding of speech acts by verbs like say and wonder, speechact-modifying adverbials like frankly, clauses commenting on speech acts, like certain uses of because-clauses, parentheticals, and appositive relative clauses. A crucial distinction is made between speech acts and speech act potentials, linguistic objects that can be used to perform speech acts when applied in a specific communicative situation. I develop a semantic theory in which speech act potentials are captured as semantic functions that change a world-time index, reflecting the nature of speech acts as events that happen in the world. As index changers, speech act potentials become nearly regular semantic objects, with a proper semantic type on which other semantic objects can operate on. In this way, speech acts (or rather, speech-act potentials) become part of the recursive structure of language.
performances. But comparatively little work has been by way of elucidating such speech acts,[1] and without an adequate account of them, such comparisons will ultimately prove to be empty. In this paper, I will defend an illocutionary pretense view, according to which actors pretend to perform various kinds of illocutionary acts rather than genuinely performing them. This is, of course, a fairly intuitive position to take. What I want to argue, however, is that this is the route one must take: there are simply no tenable alternatives.
performances. But comparatively little work has been by way of elucidating such speech acts,[1] and without an adequate account of them, such comparisons will ultimately prove to be empty. In this paper, I will defend an illocutionary pretense view, according to which actors pretend to perform various kinds of illocutionary acts rather than genuinely performing them. This is, of course, a fairly intuitive position to take. What I want to argue, however, is that this is the route one must take: there are simply no tenable alternatives.
No categories
In this paper I try to use the conceptual framework of the speech act theory to clarify a few points regarding the philosophical debate about the existence of negative acts. For this, I start by looking at some of the most popular candidates to this title: failing, omitting, avoiding and refraining. In the second part of my paper I consider some examples of verbal actions and try to investigate how would the property of 'being negative' apply to them, concluding that we could only say about the locutionary contentent of a speech act that it is negative. Since the illocutionary force, which gives the kind of the verbal act performed, cannot be properly called 'negative', there cannot be any 'negative speech acts'. Next, I try to show how this can be applied to such cases. At the end of the paper I propose that an analysis of the situations in which our actions seem to oppose each other should replace the misleading problem of negative acts.
It has become standard for feminist philosophers of language to analyze Catherine MacKinnon's claim in terms of speech act theory. Backed by the Austinian observation that speech can do things and the legal claim that pornography is speech, the claim is that the speech acts performed by means of pornography silence women. This turns upon the notion of illocutionary silencing, or disablement. In this paper I observe that the focus by feminist philosophers of language on the failure to achieve uptake for illocutionary acts serves to group together different kinds of illocutionary silencing which function in very different ways.
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