Online research in philosophy

This paper has two aims, as an exposition of Jürgen Habermas's response to the work of Michel Foucault, and to engage in and assess this debate between two influential contemporary schools of Continental philosophy. Habermas locates Foucault's project in the history of several attempts at a totalizing critique of reason, attempts which are trapped in a performative self?contradiction. Habermas also argues that Foucault is still caught up in the conceptual straitjacket of the philosophy of the subject which his theory was meant to overcome. He shows that Foucault's central notion of power is used in two different and ultimately irreconcilable ways ? as a transcendental as well as an empirical concept. Much of Habermas's critique is justified and could, indeed, be extended to Foucault's anti?realist relativism, but Habermas's own defence of rationalism is not without difficulties of its own. Thus his notion of knowledge?guiding interests commits him to a form of anti?realism and a transcendental concept of instrumental power which is almost as problematic in its consequences as the anti?realism of Foucault.

Drawing on The Psychic Life of Power (Butler 1997), this essay sketches the outline of Butler's project of bringing Foucault (politics) and Lacan (psychoanalysis) together. In addressing the psychic life of power, Butler tries to unravel the dynamic interplay of the psychic and the social with the subject as the intersection of both.

What is the role assigned to the author in Foucault's theory of discourse? An analysis of that theory reveals that Foucault speaks in it of the author only as a function of the discourse. But, it is objected, that ignores the causal role of the author in producing a discourse. Foucault's later concern with the self is seen as going beyond his earlier statements about the nature of the human subject. But while his work as a whole offers important insights into the question of the author and the subject, he does not succeed in giving us a worked?out doctrine.

One of the main influences on Judith Butler‘s thinking has been the work of Michel Foucault. Although this relationship is often commented on, it is rarely discussed in any detail. My thesis makes a contribution in this area. It presents an analysis of Foucault‘s work with the aim of countering Butler‘s representation of his thinking. In the first part of the thesis, I show how Butler initially interprets Foucault‘s project through Nietzschean genealogy, psychoanalysis and Derridean discourse, and how she later develops this interpretation in line with the progress of her own project. In the main part of the thesis, I present an analysis of Foucault‘s thinking in the period from The Archaeology of Knowledge (1969) to The History of Sexuality volume 1 (1976). This analysis focuses on the aspect of his work which has most influenced Butler‘s thinking: namely the notion of a relationship between knowledge, discourse and power. The other issues in his work which Butler addresses—genealogy, the subject, the body, abnormality, and sexuality—are discussed within this framework. I show how, in the early 1970s, Foucault develops the notion of power-knowledge, and sets out a relationship between power-knowledge and discourse which is overlooked by Butler. I argue that Butler interprets Foucaultian power through the notions of repression and social norms, and ignores the concepts of technology and strategy which form a key part of Foucault‘s thinking. I show how, from The Archaeology of Knowledge on, Foucault develops a socio-historical ontology and a genealogy of the subject, both of which are at variance with Butler‘s interpretation of his thinking.

This paper attempts in the first instance to clarify the application of the personal/sub-personal distinction to psychoanalysis and to indicate how this issue is related to that of psychoanalysis" epistemology. It is argued that psychoanalysis may be regarded either as a form of personal psychology, or as a form of jointly personal and sub-personal psychology, but not as a form of sub-personal psychology. It is further argued that psychoanalysis indicates a problem with the personal/sub-personal distinction itself as understood by Dennett A revised view of the distinction, which is argued to reflect its true metaphysical significance, is proposed.

Freedom and the subject were guiding themes for Michel Foucault throughout his philosophical career. Johanna Oksala identifies the different interpretations of freedom in his philosophy and examines three major divisions of it: the archaeological, the genealogical, and the ethical. She demonstrates that in order to fully appreciate Foucault's "project", we must understand his complex relationship to phenomenology, and discusses Foucault's treatment of the body in relation to recent feminist work on this topic.

In this paper, I tried to sketch out Luce Irigaray's ambiguous relationship with the tradition of western psychoanalysis.

I evaluated her critiques on Freudian and Lacanian psychoanalysis, and defended the idea that she succeeds at transcending the many feminist evils of psychoanalysis as a tradition, by feminizing the psychoanalytical practice.

The standard interpretations of Foucault's intellectual biography usually present Sartre as his major adversary. Though it would be difficult to underestimate the importance of Sartre for Foucault's development, this paper argues that Foucault was involved in an even more intense and deeper contest with Freud. Indeed, Freud was Foucault's principal adversary and, throughout his career, Foucault was trying to formulate a counter-project to psychoanalysis. The author attempts to demonstrate this claim by examining Foucault's early psychological writings, Madness and Civilization, his encounter with Kant in The Order of Things and The History of Sexuality. He argues, moreover, that Foucault had articulated a project, namely, 'the dialogue with unreason', which not only could have provided a meeting point for his project and Freud's but can still provide a way of getting beyond the exhausted debate between the advocates of the Enlightenment and the Anti-Enlightenment. Because he could never give up the temptation to valorize transgression, however, Foucault was unable to pursue the dialogue with unreason in a systematic way. Key Words: Foucault • Freud • psychoanalysis • reason.

This essay examines the similarities and dissimilarities between Freudian psychoanalysis and the form of analysis outlined by Sartre in Being and Nothingness in relation to the theory of inten- tionality developed by Brentano and Husserl. The principal aim of the paper is to establish a suitable starting point for a dialogue between these two forms of analysis, whose respective terminologies with respect to consciousness and the unconscious appear to cancel one another out.

This paper investigates the potential of the concept of sublimation for thinking subjectivity at the intersection of psychoanalysis and critical theory. I first rehearse a recent argument by Whitebook that Freud’s notion of sublimation presents a nonviolent integration and expansion of the ego, which can mediate the modern dichotomy between the rational subject and nonrational impulse and desire. On this view, sublimation turns subjectivity into a site of possibility in the context of modern, rationalized thought and society. I then argue that the concept of sublimation offered to critical theory in this form is insufficiently developed. Both Freud and Adorno analyze a deep-seated destructiveness of the modern subject, which turns up right at the heart of attempts to mediate the dichotomies of rationalized modernity. What is needed to counter this problem is a theory of love in which love is not separated from, but, rather, correlated with drive and desire, and can thereby get on a level with the unconscious or unacknowledged, impulsive nature of death-bearing subjectivity in enlightened modernity. A central conception in Kristeva’s development of Freudian psychoanalysis, the idea of transference love, delivers such a theory and thereby develops the concept of sublimation in the way that is needed at the intersection of psychoanalysis and critical theory.