Online research in philosophy

Bergson, writing in 1896, anticipated “sensorimotor contingencies” under the concept that perception is “virtual action.” But to explain the external image, he embedded this concept in a holographic framework where time-motion is an indivisible and the relation of subject/object is in terms of time. The target article's account of qualitative visual experience falls short for lack of this larger framework. [Objects] send back, then, to my body, as would a mirror, their eventual influence; they take rank in an order corresponding to the growing or decreasing powers of my body. The objects which surround my body reflect its possible action upon them. – Henri Bergson (1896/1912, pp. 6–7).

One of the earliest examples of articulating the “discordance of time”—a theme that serves as a guiding thread woven throughout much of the re-engagement with time that is characteristic of continental philosophy—can be found in a series of essays written by Levinas in the aftermath of World War II. I show how these essays derive from a set of key texts by Bergson and how Bergson already anticipated the distinctive ways of conceptualizing the movement of time that are advanced by Levinas in his early essays. Nevertheless, as I will show, Levinas chooses not to acknowledge this Bergsonian anticipation of his theory of time, despite his recognition, repeated throughout many texts and interviews, of the influence of Bergson on the formation of his own thought. I conclude by reflecting on the complexity of the Bergsonian inheritance in Levinas's philosophy of time.

Borrowing conceptual tools from Bergson, this essay asks after the shift in the temporality of life from Merleau-Ponty’s Phénoménologie de la perception to his later works. Although the Phénoménologie conceives life in terms of the field of presence of bodily action, later texts point to a life of invisible and immemorial dimensionality. By reconsidering Bergson, but also thereby revising his reading of Husserl, Merleau-Ponty develops a non-serial theory of time in the later works, one that acknowledges the verticality and irreducibility of the past. Life in the flesh relies on unconsciousness or forgetting, on an invisibility that structures its passage.

Darwin and feminism: preliminary investigations into a possible alliance -- Darwin and the ontology of life -- The Nature of culture -- Law, justice, and the future -- The Time of violence: Derrida, deconstruction, and value -- Drucilla Cornell, identity, and the "Evolution" of Politics -- Philosophy, knowledge, and the future -- Deleuze, Bergson, and the virtual -- Merleau-Ponty, Bergson, and the question of ontology -- The thing -- Prosthetic objects -- Identity, sexual difference, and the future -- The Time of thought -- The Force of sexual difference -- (Inhuman) forces: power, pleasure, and desire -- The future of female sexuality.

Bergson argues for free will by showing that the arguments against it come from a confusion of different conceptions of time. As opposed to physicists' idea of measurable time, in human experience life is perceived as a continuous and unmeasurable flow rather than as a succession of marked-off states of consciousness--something that can be measured not quantitatively, but only qualitatively. His conclusion is that free will is an observable fact.

Through the philosophies of Bergson and Deleuze, my paper explores a different theory of time. I reconstitute Deleuze’s paradoxes of the past in Difference and Repetition and Bergsonism to reveal a theory of time in which the relation between past and present is one of coexistence rather than succession. The theory of memory implied here is a non-representational one. To elaborate this theory, I ask: what is the role of the “virtual image” in Bergson’s Matter and Memory? Far from representing the simple afterimage of a present perception, the “virtual image” carries multiple senses. Contracting the immediate past for the present, or expanding virtually to hold the whole of memory (and even the whole of the universe), the virtual image can form a bridge between the present and the non-representational past. This non-representational account of memory sheds light not only on the structure of time for Bergson, but also on his concepts of pure memory and virtuality. The rereading of memory also opens the way for Bergsonian intuition to play an intersubjective role; intuition becomes a means for navigating the resonances and dissonances that can be felt between different rhythms of becoming or planes of memory, which constitute different subjects.

Heidegger claims in Being and Time that Bergson fails to overcome traditional ontology because his concept of time is fundamentally Aristotelian. On the basis of this hasty dismissal, it is tempting to conclude that Heidegger was not terribly interested in Bergson or that he only wanted to prevent readers from confusing his view of time with Bergson’s. To the contrary, a survey of Heidegger’s early lectures and writings on the issue of time reveals a strong interest in Bergson and an acknowledgement of his importance as a pivotal thinker concerning time. In fact, Heidegger appropriates key aspects of Bergsonism, such as Bergson’s way of contrasting the measurement of time and its experiential origins, revealing that his ambivalence toward Bergson initially arises from concerns about his method and his concept of life rather than his understanding of time.

John Mullarkey. Bergson and Philosophy (Edinburgh: Edinburgh University Press, 1999), 206 pp. ISBN 0 7486 0957 1 (paperback), US$20; Keith Ansell Pearson, Philosophy and the Adventure of the Virtual : Bergson and the Time of Life (London: Routledge, 2002), 246 pp. ISBN 0 415 23727 0 (cloth), US$90, 0 415 23728 9 (paperback), US$27.95; Leonard Lawlor, The Challenge of Bergson: Phenomenology, Ontology, Ethics (New York: Continuum, 2003), 153 pp. ISBN 0 8264 6802 0 (cloth), US$73.50, 0 8264 6803 9 (paperback), US$24.95; John Mullarkey, ed., The New Bergson [Angelaki Humanities] (New York: Manchester University Press, 1999), 235 pp. ISBN 0 7190 5380 3 (cloth), US$69.95; 0 7190 5553 9 (paperback), US$29.95; John Mullarkey and Keith Ansell Pearson, eds., Bergson: Key Writings [Athlone Contemporary European Thinkers], trans. Melissa McMahon (New York: Continuum, 2002), 402 pp. ISBN 0 8264 5728 2 (cloth), US$99.95, 0 8264 5729 0 (paperback), US$33.95.