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- John Peter Anton (1981). The Fire and the Sun: Why Plato Banished the Artists. Journal of the History of Philosophy 19 (2).
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One of the most interesting passages in the Republic is the comparison of the Form of the Good with the Sun. Although this depiction of the Good was never repeated, many hold that the Good retained its privileged place in Plato’s metaphysics.I shall argue that there are good reasons for thinking that Plato, when writing the Sophist, no longer held his earlier view of the Good. Specifically, I shall contend that he ceased to believe that as the Sun makes its objects visible, so the Good makes the Forms knowable. This being the case, it cannot also be said to iIluminate either the Forms or the order they exhibit.My procedure will be first to consider briefly how, in the Republic, the Good can be said to iIluminate the Forms. I shall then determine the extent to which, in the Sophist, this function can still be credited to the Good.
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In the sixth century BCE Ionian philosophers explained the sun as a mass of fire, sometimes as floating like a leaf or a cloud above the earth. It was thought to be fueled by moist vapors from the earth. In the f i f t h century philosophers typically envisaged the sun as a red-hot stone or a molten mass carried around by the force of a cosmic vortex. The decisive shift in explanations seems to result from the cosmology of Parmenides, who recognized that the moon received its light from the sun, and hence inferred that the heavenly bodies were spherical solid bodies. The new theory required a new account of how the sun came to be hot. The sun was said to be heated either by being in a fiery region or by friction. The discovery of a large meteorite seemed to confirm the fifth-century theory.
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