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- Richard Arthur, "Leibniz's Body Realism: Two Interpretations" Peter Loptson and R. T. W. Arthur.In this paper we argue for the robustness of Leibniz's commitment to the reality (but not substantiality) of body. We claim that a number of his most important metaphysical doctrines — among them, psychophysical parallelism, the harmony between efficient and final causes, the connection of all things, and the argument for the plurality of substances stemming from his solution to the continuum problem— make no sense if he is interpreted as giving an eliminative reduction of bodies to perceptions.
In general, he avoids discussing emotions in bodily terms, saying that general inclinations, passions, pleasures and pains belong only to the mind or to the soul (NE II, xxi, §72). He is also keen to point out that our passions derive mostly from our bodies. However, like Spinoza (Ethics III, prop. XI, Scholium) he thought that some emotions such as joy can produce pleasures which can be described also in bodily terms. For example, in a short memoir Felicity he says that music can be a pleasure for the ears and symmetry can be a pleasure for the eyes. These more intellectual emotions are actions in the sense that they represent perfection emanating from their source, the absolutely perfect being, that is, God. The feeling of perfection may produce a state of well-being which concerns both the soul and the body.
In my paper I will trace instances of Leibniz’s remarks on how these kind of emotions affect the body. I will also discuss the different ways the body gives rise to passions in the soul. My primary source is Nouveaux essais, book II, chapter xx and xxi, but I will also discuss various other writings by Leibniz.
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