Sound in kandinsky's painting
Journal of Aesthetics and Art Criticism 35 (3):329-336 (1977)
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Wassily Kandinsky (1947/1979). Point and Line to Plane. Dover Publications.
Christian Lotz (2009). Representation or Sensation? A Critique of Deleuze’s Philosophy of Painting. Sympsium. Canadian Journal for Continental Philosophy 13 (1):59-73.
Andrew Benjamin (2011). On the Image of Painting. Research in Phenomenology 41 (2):181-205.
Jerome Ashmore (1955). Some Differences Between Abstract and Non-Objective Painting. Journal of Aesthetics and Art Criticism 13 (4):486-495.
Jerome Ashmore (1951). The Old and the New in Non-Objective Painting. Journal of Aesthetics and Art Criticism 9 (4):294-300.
Nigel Wentworth (2004). The Phenomenology of Painting. Cambridge University Press.
Charles P. Webel (2007). Modernist Creativity and the Construction of Reality in Einstein and Kandinsky. World Futures 63 (7):526 – 557.
Amy Ione (2004). Klee and Kandinsky Polyphonic Painting, Chromatic Chords and Synaesthesia. Journal of Consciousness Studies 11 (3-4):148-158.
Vincent Tomas (1969). Kandinsky's Theory of Painting. British Journal of Aesthetics 9 (1):19-38.
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