Online research in philosophy

An introductory anthology to the wide range of knowledge and wisdom of the Yoga tradition edited, with many new translations, by the leading writer on Yoga today. Millions of Americans have taken up the practice of yoga as a way of reducing stress, increasing flexibility, and improving overall health. But Yoga is more than a physical discipline it is a four-thousand-year-old tradition with a rich philosophical and spiritual heritage. The readings in this book offer an inspirational introduction to this vast treasury of literature. Presented here is a wide range of the most accessible writings, including: Teachings on the path of liberation from the ancient Hindu Upanishads Tevotional love songs in praise of Krishna by the celebrated poet Mirabai (1498-1550) Insights on the attainment of joy from the great Sanskrit epic Mahabharata Inspiring sayings and teachings from contemporary masters like Gandhi, Swami Vivekananda, and Gopi Krishna Notes for each selection are provided, as well as an annotated reading list to guide readers in their further study of the Yoga tradition.

Introduction : heroes like us -- Hegel, the western and classical modernity -- The myth and the frontier -- The hero in the epochs of mythical and the bourgeois -- The end of the individual -- The end of the subject -- Romanticism, crime and agonal modernity -- The return of tragedy in modernity -- Heroes of coolness and the ironist -- Nietzsche, science fiction and hybrid modernity -- Heroic individualismus and metaphysics -- Superhumans, supermen, cyborgs -- Heroes of the future.

In Sāṃkhya similes are an important means to communicate basic philosophical teachings. In the texts similes are frequently used, especially in the Sāṃkhya passages in the Mahābhārata, in the Sāṃkhyakārikā and in the Sāṃkhyasūtra. This paper compares the similes in these three texts and analyses changes in the philosophy as revealed in the similes. A comparison of the similes of Sāṃkhya texts produced over more than one thousand years reveals changes in the emphasis in this philosophical system. The purpose of the similes in the Sāṃkhya passages of the Mahābhārata is to produce an intuitive understanding of the separateness of puruṣa and prakṛti. The similes are designed to lead the listener to understand this basic dualism. In the Sāṃkhyakārikā the most difficult issues are the relationship between prakṛti and puruṣa and the idea of prakṛti working for the salvation of puruṣa. One whole chapter of the Sāṃkhyasūtra is devoted to similes.

Environmental Ethics and the Mahābhārata : The Case of the Burning of the Forest Content Type Journal Article Pages 1-20 DOI 10.1007/s11841-011-0264-2 Authors Christopher G. Framarin, Department of Philosophy, University of Calgary, 2500 University Dr. NW, Calgary, AB T2N 1N4, Canada Journal Sophia Online ISSN 1873-930X Print ISSN 0038-1527.

One major idea within the great epic of the Mahabharata is the concept of fate. Daiva, literally 'of the gods', could be said to direct or even manipulate every character and theme throughout the entire epic. The story of Nala and Damayanti offers us an opportunity for insight into Daiva within the epic as a whole. The short story, when placed in the Mahabharata, results in an interesting encapsulation of a love story, numerous metaphors and a tale of initial loss and eventual redemption. Through the investigation of each character's specific dharma, we will see that actions and consequences seemingly blend together, with an arguable disregard for the passage of time. Throughout the story of Nala and Damayanti, we will notice the overarching theme of fate. Human choice and divine authority are questioned as people and gods are unable to escape from what must be.

Study of theory of Karma with reference to Mahabharata and works of Paul Ricoeur.

This dissertation explores ideas about human agency and conduct as these are expressed in the Indian epic known as the Mahabharata (the "Great Bharata"). Two concepts in particular retain our attention: daiva, the power that comes from the gods, and purusakara, the power that comes from human beings (purusas). One current of thought holds that human life and the course of history are governed exclusively by external agencies ("the gods" or chance). On the other hand, the epic also carries the commanding message that the lives of individuals and societies may be changed for the better through human initiative (purusakara) in accordance with the dharma, the moral order sanctioned by religious tradition. The issue is finally reduced to the question: who is the real agent of action?