Abstract

This paper is an investigation into writing that describes, and in many ways objectifies and marginalises, the queer. Specifically, the paper looks at the fairytale, and discusses how such narratives might be rewritten by authors informed by Queer Theory. This analysis is undertaken to reflect on, theorise, and position the creative writing strategies and practice of queer writers working within the field of fairytale fiction. A major proposition of this paper is that many fairytales feature what will be defined as “Monstrous Queer” figures. A further delineation of this paper is to foreground the moment of narrative closure – the fairytale ending. This is done because fairytale endings routinely involve the Monstrous Queer being destroyed or punished. This paper is concerned with how queer writers have undertaken a positive rewriting of these figures of the Monstrous Queer and how a critical engagement with Queer Theory might further inform this rewriting. It will be shown that writers of queer fairytales have utilised the very familiar figures of the fairytale – narrative clichés as it were – in familiar settings, with familiar plot devices but, significantly, with a shifted emphasis, a revaluation, that has a considerable deconstructive potency