About stage universalism
Philosophical Quarterly 57 (226):21–39 (2007)
| Abstract | Most four-dimensionalists, including both worm and stage theorists, endorse mereological universalism, the thesis that any class of objects has a fusion. But the marriage of fourdimensionalism and universalism is unfortunate and unprofitable: it creates a recalcitrant problem for stage theory’s account of lingering properties, such as writing ‘War and Piece’ and traveling across the tennis court, which take time to be instantiated. This makes it necessary to impose a natural restriction on diachronic composition. | |||||||||
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Daniel Z. Korman (2007). Unrestricted Composition and Restricted Quantification. Philosophical Studies 140 (3):319-334.
Joshua M. Stuchlik (2003). Not All Worlds Are Stages. Philosophical Studies 116 (3):309-321.
Yuri Balashov (2005). On Vagueness, 4d and Diachronic Universalism. Australasian Journal of Philosophy 83 (4):523 – 531.
A. C. Varzi (2003). Perdurantism, Universalism, and Quantifiers. Australasian Journal of Philosophy 81 (2):208 – 215.
Yuri Balashov (2002). On Stages, Worms, and Relativity. Royal Institute of Philosophy Supplement 50:223-.
Daniel Howard-Snyder (2003). In Defense of Naïve Universalism. Faith and Philosophy 20 (3):345-363.
Nikk Effingham (2011). Universalism and Classes. Dialectica 65 (3):451-472.
Michael C. Rea (1998). In Defense of Mereological Universalism. Philosophy and Phenomenological Research 58 (2):347-360.
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